Hi Alan, It's a kind of an interesting problem you have there! >> C and D are in tune over the whole 6 octaves while E,F,G A and B are not. << The only thing that I can imagine to cause this are either: A) Some form of microtuning setup on the Korg. B) Some form of Key Aftertouch setting being sent to the Korg which is configured to cause a pitch shift. Neither of these is likely to be transmitted from the AN1x. >> Further clue. With everything switched on and the Korg still out of tune, I disconnect the midi in cable coming from the AN and hey presto the Korg is back in tune. So this means it is definitely a signal from the AN that is causing the detune. Any ideas? << That's interesting. I really doubt the An1x is sending any form of controller message on a permanent basis that is holding the Korg in the detune state. Much more likely is that the AN1x is sending active sense messages (most Yamaha keyboards do. It's a message that tells attached equipment that the keyboard is still alive). If this is the case, then unplugging the MIDI IN cable from the Korg will stop the Active sense message from arriving. Most equipments response to the loss of active sense is to stop sounding all voices and to reset all controllers! Hence the clue in this operation is that the detune is almost certainly caused by a controller setup on the Korg. However it does not necessarily follow that the AN1x sent that controller. Simply that disconnecting the An1x forces the Korg to reset it. Have you tried different combinations of turning on the Korg and the An1x to see if all produce the same effect. Have you checked using different patches on the Korg or even performing a factory reset etc. Sorry I can't be of more help....but I'm interested to know the cause when you find it. Please make sure you post the solution to the group ;-) Regards Gary Gregson Email:gary@... -----Original Message----- From: nuvalerium [mailto:alan@...] Sent: 29 May 2002 18:36 To: AN1x-list@yahoogroups.com Subject: [AN1x] Re: Detune
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RE: [AN1x] Re: Detune
2002-05-29 by Gary Gregson
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