At 09:00 PM 4/21/00 -0400, you wrote:
are what make the AN1x powerful.
even a 4-part (true) multitimbral AN synth, I'd be happy.
EA-1 more for 303-type patterns. Sometimes for basslines. The EA-1 I use
primarily for adding some high-end crisp to rhythm tracks (like lo-fi drum
loops). I always need to use it with a compressor or else it just doesn't
sit well in a mix.
E
- 30 -
: . elson trinidad, los angeles, california, usa
: . elson@... : www.westworld.com/~elson
: . groove to the futurethnic beats of e:trinity at www.mp3.com.etrinity
>I've played it twice now! Very, very nice. I love the interface - theExcept the 4-octave keyboard :) Does the MS2000 have effects? The effects
>immediacy is wonderful. It's like everything Roland got wrong on the
>JP8K Korg got right on the MS2K.
are what make the AN1x powerful.
>I like using the AN1x as aSame here, though it's not *real* bitimbrality. If Yamaha came out with
>one trick pony and never make use of the bi-timbral functionality.
even a 4-part (true) multitimbral AN synth, I'd be happy.
>I really enjoyed that little ER-1 Drum Machine too. MoreI have both. I felt the same as you before I bought it but actually use the
>so than the EA-1 box.
EA-1 more for 303-type patterns. Sometimes for basslines. The EA-1 I use
primarily for adding some high-end crisp to rhythm tracks (like lo-fi drum
loops). I always need to use it with a compressor or else it just doesn't
sit well in a mix.
E
- 30 -
: . elson trinidad, los angeles, california, usa
: . elson@... : www.westworld.com/~elson
: . groove to the futurethnic beats of e:trinity at www.mp3.com.etrinity