Hello Marlon, --- In AN1x-list@egroups.com, Marlon Jürs <M.Juers@w...> wrote: > Hi there! > I got exactly the same problem as Chris. I still hesitate from buying an > USB-MIDI-Interface. Because of it's described timing and bandwidth-problems. > > Now I heard about the "great" new USB-Midex 8x8-MIDI-Interface from > Steinberg wich offers a new technology called LTB-protocol which means: no > more timing problems. Could this be true with USB? Is'nt still the serial > port much more accurate than USB? Does anyone of you have made any own > experiences with it or can tell me, where I can read tests or comparisons > about it. Please help!!! There are a couple of things to keep in mind with the latest crop of MIDI Interfaces. First of all, Steinberg's LTB protocol is proprietary to their hardware/software combination just as Emagic's AMT protocol and MOTU's MTS protocol are to their hardware/software combo's. In other words, even though you could use an Emagic AMT8 or Unitor as a standard MIDI Interface with Steinberg Cubase it would not provide the LTB functionality. The same is true for using the new Steingberg interface with Emagic Logic Audio - the AMT feature would not work. This may be a non-issue for many users. On the plus side - some of the current MIDI Interfaces offer both USB and Serial/Parallel port connections for Mac/PCs (Emagic, MIDIMAN, & MOTU each do.) Cool. I've always been inclined to use same make of MIDI Interfaces as my software. I had very few significant problems with this approach up until I downsized my MIDI rig and switched sw apps but that's another story... Unless you're running a large MIDI rig - say eight (or more) multitimbral MIDI modules - you may not notice any benefit from these timing enhancement protocols. MIDI is a serial protocol, i.e., one message sequentially following another. The inherent latency in the MIDI signal over a serial connection may not be noticeable when running 1 - 3 devices, or maybe even 4 - 5 devices, but once you get up to 6 - 8 you're likely to encounter what is affectionately termed "MIDI Slop" on the latter devices in your MIDI chain. Protocols such as AMT, or LTB, or MTS do not work by `speeding things up' but rather through a sophisticated caching scheme where in the data is delivered across multiple ports/channels simultaneously. This is of great advantage in a medium to large MIDI rig but the potential benefits could still be inhibited by the limitations of the receiving device and how you use it. For example, say you use a sampler that offers internal effects but using the effects are DSP intensive, i.e., "more better" sound quality at the expense of MIDI response time to Note events. Assuming you are as intimately familiar with every piece of gear in your rig as most musicians ;-) you've probably sworn off using the sampler in our example as a multitimbral sound module - well, using AMT or LTB or whatever is NOT going to change or improve matters. It will not alter the native latency of your device(s) - just deliver the goods on time, that's all. That said, most modern MIDI instruments have a response time significantly better your average VSTi so the example may not be as common as it was 5 - 10 years ago. If you'd like to discuss the pros & cons of USB MIDI Interfaces further please contact me offline so we don't carry on with an "off topic" for too long in front of the entire list :-) I'd be happy to share my experiences with you. If you do a search of the list archive you'll find some related posts from last year too. Hope this helps. Regards, Jon
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Re: USB - any good as a MIDI port interface?
2001-01-06 by jondl@jdlx-musique.com
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