You know...I remember reading up on Don Airy and the CS80.......Don Airy
used CS80 brass 1 & 2 on OZZY Osbournes "Mr Crowely" intro(Glissando
Sust 1) and I believe during the Song you hear Strings 1 and 2 with the
pitch ribbon doing downward slides after the "Waiting on Satans
Call"vocal line......I heard it on the radio today and thought I should
share that........
Tommy Priakos wrote:
> I think Max was really meaning 3 and 4 (?).
>
> Mert Topel <mert@...> wrote: How do you combine string 2
> with string 4?
> ----- Original Message -----
> From: Max Fazio
> To: yamahacs80@yahoogroups.com
> Sent: Wednesday, May 10, 2006 12:18 AM
> Subject: Re: [yamahacs80] The usage of String 1 and String 2
> presets.
>
>
> Very often the combination of strings2-strings4 is used, sometimes
> strings2 is tuned 1octave upper ; )
> M
> ----- Original Message -----
> From: "Mert Topel" <mert@...>
> To: <yamahacs80@yahoogroups.com>
> Sent: Tuesday, May 09, 2006 10:38 PM
> Subject: [yamahacs80] The usage of String 1 and String 2 presets.
>
>
> > My CS-80 ownership just dates back to one month only. Although I
> am
> > immensely impressed by the CS-80's musicality, there is one point
> that
> > still remains quite unclear to me: The usage of the String 1 and
> String
> > 2 presets...
> >
> > I have found the other presets to be generally quite musical and
> > effective. But what about the String1 and String 2 ? How do you
> use
> > these two presets? I find them very bright and harsh to layer each
>
> > other in a dual strings patch or to layer any other sound that the
> CS-
> > 80 produces.
> > Lessening the brightness does not even help much.
> >
> > Ironically, this poor combination is the first sound you hear
> every
> > time you turn on any CS-80.
> >
> > Do I miss anything about this sounds? Could Yamaha have wasted two
>
> > valuable memory locations by two awful string sounds on a
> synthesizer
> > that can actually produce breath taking string sounds?
> >
> >
> >
> >
> >
> >
> >
> >
> >
> > Yahoo! Groups Links
> >
> >
> >
> >
> >
> >
>
>
>
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