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Weird pairing...
never a real Fleetwood fan either, but Lindsey Buckingham really is abrilliant guitarist.
fritz
-----OriginalMessage-----
From: tony1 <atm655@verizon. net>
To: newmellotrongroup@ yahoogroups. com
Sent: Mon, Aug 9, 2010 3:54 pm
Subject: Re: [newmellotrongroup] Re: New Digital Mellotron
I saw Triumvirat open for Fleetwood Mac, who Inever cared for anyway.Wasn't there to see them, but Triumvirat weretight as Hell.Tony1-----Original Message -----From: ceccles_caSent:Monday, August 09, 2010 1:14 PMSubject:[newmellotrongroup] Re: New Digital Mellotron
Hans-Jürgen's Triumvirat - A good example of copying someoneelse's sound. Fortunately they had talent and wrote a few unique songs.
--- In newmellotrongroup@ yahoogroups. com,fdoddy@... wrote:
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> Copying someone else's sound has great educational value, imho. Itteaches signal flow, exposes a creative process different than one'sown, and is fantastic ear training. I highly recommend copyinganother's sound whilst in search of one's own.
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> "...something nobody heard before"....is a request I getconstantly from my commercial clients...and you get 5 hours to createit. No thank you!
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> Personally, I'd rather create a story than create a signature.
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> fritz
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> -----Original Message-----
> From: Mike Dickson <mike.dickson@ ...>
> To: newmellotrongroup@ yahoogroups. com
> Sent: Sun, Aug 8, 2010 10:46 am
> Subject: Re: [newmellotrongroup] Re: New Digital Mellotron
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> Mark Pring wrote:
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> I now wonder if trying to emulate other peoples sounds isreallythat satisfying, might be better to come up with somethingnobody hasheard before, when my tron is back in action I'm planning tofeed theoutput through my microkorg or monotron for what I hope willbe someinteresting sounds.
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> My thoughts exactly. Why copy someone else's 'signature sound';whenyou can find your own?
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> Mike
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