Archive of the former Yahoo!Groups mailing list: The Mellotron Group

Absolutely Mike, I agree as well.  The samples I have used that sound the best have been right off the Mellotron.  If I feel the need to

add reverb, EQ, or whatever I will add it myself.  The point I was trying to make between the Grand Piano and Mellotron samples was that

the frequency response and the velovity at which the string is struck is what makes the piano more difficult to sample than the playback of a

string instrument (for example) that is played back through a very limited response system such as the Mellotron.  However it is the lack

of response that gives it it’s unique character and made the Mellotron the fascinating instrument it is.  Even the limited duration of the notes

small number of keys, wow and flutter, which could all be considered limitations, add to the overall sound we have come to know and love. 

All of these characteristics can be sampled and if done well and played properly when sitting in a mix are virtually indistinguishable from the

original IMHO.  I have always loved the Mellotron and think it brought a new and wonderful sound that was made even better by the limited

technology who’s “limitations” created it’s character and most likely by accident more than by design made it famous (some might say infamous J).