On Sep 30, 2009, at 2:50 PM, Mike Dickson wrote:
Mine is the same.I distinctly recall that when I was recording 'Water Through Fingers' on the fiorst Systems Theory album it was worse than ever. The coda to that track features over a dozen Mellotron sounds, and recording one was not a problem, but the next was in variably out of tune to the tune of (say) a quarter tone flat. If I turned the pitch up by a hint of smattering of a suggestion then it was playing a semitone sharp. Back down the same amount and it was still sharp. A tad further down and it was back where it started.
I gave up for the day and did it all again the next day. I recorded all tracks, one after another, with no pitch problems at all
As they often say as the World Series rolls around, "You can never have enough good pitching."