It sounds completely different when played on the AN200 but I
definitely hear the osc. sync. The AN200 doesn't have split mode
and I'm not sure if the sequencer is the same as the AN1X's.
> It's not an arpeggio but rather a 4 step sequence at 90 bpm stored
with the voice - C3 and
> C4 triggering both voices. Each note is a whole measure, HOLD is
enabled and the Seq is
> stored with the Voice.
>
> The Voice is in Split Mode. Basically, each scene is set to
Sync+FMSlv with maximum,
> negative settings for Sync and FM - the Pitch Dpth value controls
the 'iiiie' sound but only
> because the VCO1 is transposed down three octaves! The 'd' sound
appears to be the
> result of VCO2 which is transposed upwards nearly two octaves, but
the fine tuning is
> nearly 40 cents flat. Again, play with the Pitch Dpth and it makes
sense. Both scenes in the
> voices are VERY similar - mostly differences in Pitch, Fine Tuning
and Pitch Dpth. The split
> in combination with the Seq is how the DIE die DIE die effect is
achieved. Whoever thought
> this is up was friggin' brilliant.
>
> Jon