1st off, it was ∗great∗ seeing everybody at the Craig Anderton/Alesis ION seminar last
night - really enjoyed myself! Sayer and I hooked up and took his wife's new car ;-)
met David from the ION list here at Yahoo! Groups
http://groups.yahoo.com/group/alesis-ion/then Ed showed up after work (congrats on the new job!!!) along with Ming (ex-ASRX
list) and Peter from WMC (good luck at the gig in Baltimore tonight.)
The seminar was presented as an introduction to Virtual Analog synths sponsored by
Alesis. Apparently Anderton wanted to make it clear the topic was general purpose
using the ION only as an example but this quickly dissolved into a product specific
demo and Anderton readily admitted the more he worked with the ION the greater his
appreciation for it. The presentation was very much a techno geek, keyboard weenie
type of affair and Ed pointed out, probably on the mark, they should have had a more
proficient keyboard player (read: flashier) demo the instrument - and a subwoofer
would have been welcome to showcase the ION low end. I think Ed is on the money
with these observation but I was so impressed with hearing Anderton speak at a
seminar I can't say it occurred to me ;-)
The highlights were as follows:
there was compelling discussion on the reemergence of user friendly interface design
on electronic instruments (as opposed to digital displays, data sliders and numeric
keypads) and how we as musicians listen and perform driven by left brain vs. right
brain hemispheres.
The construction of the ION is impressive - much more so than the AN1x in regards
to the knobs, wheels, audio i/o jacks and case. Solid metal case, sealed rotary
encoders affixed with nuts to the case (so you don't press down on the PCB board
every time you turn a knob), solid tactile feel to the knobs, etc. The keyboard is
rubbish
- no two ways about it - and there is no aftertouch but there is a 2nd mod wheel to
make up for the latter. Since AN1x users typically dislike the AT on the AN1x this is
probably okay but you might not want to use it as controller - something the AN1x is
okay at. The UI is certainly friendly enough, think Synth 101 basics, and the display is
nicer than the AN1x but the angle is kind of 'off' (mentioned in the Keyboard review
too.) IMHO this would be okay of it were angled slightly so you didn't have to lean so
far over the synth. Probably not a big deal.
The sound quality is awesome but it does ∗not∗ sound like an AN1x. Where as the
AN1x is Prophet-5 knock off the ION is noticeably missing any Sequential type filters.
However, the Oberheim filter types were, IMO, the standout filter types on the ION.
The Roland filters were nice too but for my money the Oberheim filters are VERY
impressive. For comparison sake the ION offers something like seventeen filter types
(with more on the way!) as compared to the AN1x' six. The ION Modulation Matrix is
comparable to the AN1x CtrlMatrix. The AN1x offers more 'sets', 16 vs. 12, but the
ION might offer a few more parameters. Really, IMO, it's a toss up which one comes
out
ahead. For me the difference would be how the ION Depth setting works in relation to
the Depth parameter on the AN1x. I sometimes find it limiting that the AN1x forces
you to use a setting of Direct for certain parameters when I'd rather limit the
parameter to a range of values (see page 10 of the Data List.) Without spending some
'quality time' with the ION I can't comment any further on this.
The Real Time control is more immediate than the AN1x - this is a good thing, IMO. I
love the Assign Knobs on the AN1x but I've always found that I have to pre-plan what
controls I want 'live' in my Voices as opposed to being able to experiment with more
abandon - this is why I've always admired the Nord Lead 2 keyboard. I can tell you
one thing: after last mights demo and the recent conversation on the list I'm picking
up a new FC7 foot-pedal ∗today∗ What a useful tool - I ∗need∗ one ;-)
The resolution of the ION controls is certainly impressive: no noticeable stepping!!!
Apparently the ION sends/receives NRPNs as opposed to MIDI CCs to preserve the
enhanced bit resolution of the encoders. I did not realize the MIDI Spec allowed for
this so I'm off to do some reading on this shortly. I think there's something in the list
archives...
They did point out a 'bug' in that the Oscillators alias in the higher registers.
Apparently this was fixed and then broken in an '11th hour bug fix' and Alesis will
have an OS update for download in the near future that corrects it. There's another
plus: FLASH upgradeable OS as opposed to EPROM chips. They made no secret that
there would be new Filter types and additional Effects. There is currently no delay line
(this ∗might∗ be added) and no Reverb - the latter will NOT be added (but who cares,
Reverb on $1000 MSRP keyboards isn't all that.) The ION Arpeggiator offered many
types but I don't recall the number compared to the AN1x. The next OS update is
suppose to enhance the ION Arp so it transmits via the MIDI Out (something the AN1x
already does) - it already syncs to MIDI Clock AND offers a Tap Tempo feature that
actually works.
Another plus: the ION offers a pair of audio inputs which can be processed by the
synth engine and/or FX. Anderton had his guitar plugged into the ION to show some
of the effects and this was certainly nice but it didn't floor me - the hour was late and
they were hurrying to finish up the nearly 2 hour(!) presentation. The Vocoder demo
sounded good enough that you would like to hear more but, again, the presentation
wasn't all that.
Hope this is helpful. As I said, it was GREAT seeing everybody last night and making
new acquaintances. We'll have to do it again soon. There's another seminar in
December I think so we'll target that one I think. Now I'm off to Guitar Center for that
FC7 pedal ;-)
regards,
Jon