Wow! why is everyone getting so excited about LFO values?
I agree with Bruce Whaler statements on the matter. The fact that Yamaha
didn't supply the values to me when I wrote An1xEdit, probably means that
they didn't have them to hand (and nobody was available to go thru the
machine source code and extract the values). That they weren't available,
probably reflects the fact that they are not that important, in terms of
machine documentation. I certainly have never found myself desperately
needing the lookup table in order to get the sounds I want from the machine!
Note: Linear approximation will not determine the values...they are almost
certainly non-linear and held in a lookup table.
If anybody can tell me why they absolutely need these figures for them to
make use of the machine, then I will extract them from Yamaha!
The only reason I can think of is that you want to produce a synchronised
modulation locked to the tempo. In that case its much easier and more
flexible to use the FreeEG. i.e. just draw what you want and set it to
repeat at your desired rate. Then set what you want it to modulate. Using
this method you can have up to four modulations running at once.....all
synchronised and triggered!
Regards
Gary
Email:
gary@... http://www.yme.co.uk/yme