Hi Accuface!
Funny you should mention that, because I was just thinking of layering some of my sounds on the MC-303 with the AN1X to try to fatten it up.
But I'll have to get a new MIDI-interface to get going again. I now use a 2-in/4-out MOTU interface which works OK, but it can get really frustrating when 1 MIDI in sends signal to 2 MIDI out (not every synth has the ability to mute midi-channels). Sometimes it seems there's no control where it sends anything. Besides, I've got 3 synths with keyboard on them and only 2 MIDI in. I know I can control one of the keyboards from another to reduce the need for midi in, but I like to use realtime-controllers on the synth I'm currently playing on. By the way: can the AN1X be programmed to send NRPN #160 and #161 (cut/res for MC-303) from the assignable knobs? I think it only can transmit RPN's.
I would like a midi interface with 8-in/8-out. But why in the world are these things so damn expensive? It's really not that complicated technology, is it? At least it shouldn't be much harder to make a 10-in/10-out than 2-in/2-out, should there?
Oh, well. Got a little bit off-topic there. Anyway: just wanted to say I appreciated your response, Accuface!
Regards,
Bjorn Standal aka Bearmatic
www.mp3.com/bearmatic
----- Original Message -----
From: Marlon Jürs
To: AN1x-list@egroups.com
Sent: Friday, December 15, 2000 12:23 PM
Subject: AW: [AN1x-list] Darude-like lead patch?
Hi Bjorn!
You do not have o use samplers and powerful audio processors to build fat
commercial sounds! Try to combine an AN1X Lead or arpeggio with a similar
sound on a waldorfs pulse for example. As you know Binary Finary, you may
know the Kay Cee remix. They did the same!
Accuface
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