Hi Richy !Nice to read you again !@+J.F.
> Message du 30/07/12 17:56
> De : "richardon"
> A : AN1x-list@yahoogroups.com
> Copie à :
> Objet : [AN1x] heidelberg File (and FM)
>
> Hi Guys
> I merged the work i did last years in a single file and named it
> heidelberg.an1. (Heidelberg has a very good hospital.)
> To avoid chaos every theme has a number.
> Eg:
> 1-9=Free for performance ...17,18,19=Organ
> 2x = D50 Pads
> 3x = Mellotrons
> 4x = Brass
> 5x = Vocals
> 6x = Pianos
> 7x= String + Orchestral
> 90-103 = Famous Sequenzes + Drums
> I deleted the older files only keeping the drum and base workshop. Hmmm is
> it too complicated ?
> One trick is to use Pitch Envelope via Pulse Width as an additional
> polyphonic amp EG. Choose Waveform Pulse and
> PW=0 to hear the basic of the trick :-).
>
> FM:
> There was a question how to use FM traditional. Choose "Only FM". And you
> will especially hear, that FM cant be played
> tuned in most cases. There are no rules for some exceptions I used eg in the
> tuned vibraphone Sound (12), Spectrum3 (127)
> FM Depth = +39 and detuning +3, +19. sounds like a bell using only FM.
> How did the Famous DX7 avoid detuning ?
> Easy answer. This Synthies didnt use a real FM.
> But there are a lot of tuned An1X "FM Sounds". An1x is using a great trick.
> Additional using Sync Modulation to force the
> FM detuned sound the right tuning of the master but keeping FM overtones.
> Thats really great ! There are two ways to use this
> tuned FM. Just compare the easyPiano (15) and Fende_r (16) sound in my
> heidelberg File. Detuning VCO2 will produce a deep FM
> very close to a DX7 or Fender Rhodes. Detuning VCO1 will produce an FM that
> ca be mixed to the traditional Waveforms of VCO2.
>
> Best regards
> richy
>
>
>
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