[sdiy] Model 2 Klee Sequencer (was "Leaving off a pot?")
Michael Bacich
weareas1 at earthlink.net
Sun Nov 19 00:12:32 CET 2006
On Nov 18, 2006, at 2:34 PM, <scottnoanh at peoplepc.com>
<scottnoanh at peoplepc.com> wrote:
> When more than one stage is active, the voltages programmed by the
> active
> stage pots add up to form the output.
In my opinion, this function would be most interesting if you were
running the summed CV output through a scale quantizer that
constrained the output voltages to only notes that fell within a
particular musical scale or mode (for instance C Major, or D minor
Pentatonic). This would ensure that the various unexpected
combinations of the summed multiple stages would always yield
"musical" results. Yes, I know that everyone's definition of
"musical" is different, but I happen to like tonal music, and I think
this method of creating unexpected combinations of notes that still
sound tonal would be very fun.
By way of contrast, if you were to tune two stages to a bunch of
notes that were tuned to a particular musical scale or mode, for
instance, the aforementioned C Major or D Minor Pentatonic, and then
summed the random-ish combinations of those notes, you would end up
with a few very nice note output combinations, and probably just as
many (if not more) few real clinkers -- that is, notes that did not
sound good in either scale. (for instance, if there were two stages
being summed, both with all notes tuned to a C Major scale, if the
two stages happened to output the E natural note, and those two E
naturals were summed together, the resulting output would be G#, not
exactly the most harmonious note to use in a C Major improvisation).
Then again, Don Buchla hated keyboards -- at least the kind with
black and white keys. I imagine that he wasn't too fond of the C
Major scale, either.
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