[sdiy] reverb - the catch?
JH.
jhaible at debitel.net
Sun Dec 31 00:20:14 CET 2006
I just read the patent.
It's truly brilliant, but there is a catch:
As far as I understand it, you cannot do this with your standard Accutronics
tanks;
you have to roll your own spring: something designed to pass ultrasonic
signals.
(If you can do this - and they even give the formula of the material, the
dimensions, and the temperature of the oven in the patent! - you'll have
something that probably is far better, and certainly a lot easier to achieve
than what I originally intended to do.)
JH.
----- Original Message -----
From: "JH." <jhaible at debitel.net>
To: "Eric Brombaugh" <ebrombaugh at earthlink.net>
Cc: <synth-diy at dropmix.xs4all.nl>
Sent: Saturday, December 30, 2006 11:22 PM
Subject: Re: [sdiy] reverb
Wow!
hats off to your father.
He filed this patent the year I was born.
I'm downloading it right now ...
(http://www.pat2pdf.org/patents/pat3136853.pdf)
JH.
----- Original Message -----
From: "Eric Brombaugh" <ebrombaugh at earthlink.net>
Cc: <synth-diy at dropmix.xs4all.nl>
Sent: Saturday, December 30, 2006 10:56 PM
Subject: Re: [sdiy] reverb
JH. wrote:
> Imagine this:
>
> * Reverb tanks used in pairs to get rig of the sproing.
>
> * Two such pairs used with a crossover and two frequency shifters, to
> process the 5 ... 10kHz part
Interesting. Years ago my father worked for Baldwin Piano & Organ and
got a bunch of patents on a spring reverb system the worked in the
ultrasonic frequency range. (US Pat #3136853, June 1964)
He amplitude modulated the audio up to ultrasonic range and picked it
off with a synchronous AM detector (used the original modulating carrier
for demodulation). The advantages were:
* Allowed filtering out audio-range mechnical noises (sproing)
* operated the reverb in a range where frequency response was flatter
* Got around Hammond's reverb patents :)
There are a few other interesting things in that patent, including some
stuff on the mechanical theory of this architecture, as well as a random
frequency variation imposed on the modulation carrier which caused some
musically useful changes in the reverb characteristic.
Eric
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