Paul,
I've had a slight rethink with regards to my choice of inks for the
R220 that I hope to be setting up this weekend with UT-3D, i'd
really appreciate your opinion on my choice of inks:
C
LC
M
LM
Y
LK
I was thinking that maybe the use of the dual gray approach with the
Toners might give me sufficient dmax, the LK would help with my
highlight smoothness and the Y will let me play around with the Lab
a* axis.
Jamie.
--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Paul Roark"
<paul.roark@...> wrote:
>
> Jamie,
>
> > ... your write-up on UT-3D that's got me all fired up again.
>
> I'd become discouraged about the UT-3D inkset with all the
production and profiling disappointments. But, now it looks like it
might finally realize the potential I was aiming at. The MIS
production batch I received a couple of weeks ago was good, and now
with ColorVision's software apparently able to profile the inkset,
it's really got me excited about it again also. The thought of a
dedicated B&W inkset that can be manipulated like a color inkset
might be very interesting indeed. I'll be testing the latest
PrintFIXPro software with it as soon as I can. (It's downloading as
I write this.)
>
> >What ink configurations are people using with the R1800 -
> > perhaps UT7 or a custom mix?
>
> The 1800 is different than the printers I've worked on. So, it
really needs a different approach to optimize it. I think Cone has
a monotone for it, but, as is obvious, I'm not a fan of inflexible
inksets. Right now I have not recommendation for it.
>
> > I take it that with the R2400, UT-3D works OK?
>
> Yes, although it'll be interesting to see how the K3 with Y=EZW
compares to the 3D in terms of quality and flexibility. I had
originally thought of the 3D inkset as for 6 and 7 ink printers.
The 2400 was just sort of tacked on. It works fine with it, but it
remains to be seen whether that is the optimum B&W use of that
machine.
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>
> Paul
> www.PaulRoark.com
>