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Digital BW, The Print

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iQuads, QTR : lack of contrast in midtone gray

2006-03-20 by Olivier

My system is 1290, Piezo iQuad (4 partitions), QTR, CS; paper is HPR308.

Linearisation and QTR profils are created with an x-rite spectro. Ink 
partitionned as a simple %tage of K, without searching where each ink 
really maxes out. Measures are very fine, 21stepwedge is smooth.

I have printed an image that shows in a part of it, trees in front of a 
stone wall at the second plan so averagely blurred and in light 
shadows. Of course this part is not sharpened (so no micro-constrast is 
added).

While the foreground is sharp and well contrasty (it is also 
sharpened), these blurred trees and the stones of the wall in midtone 
shadows are simply greyish and flat, looking very unnatural.

I could play with CS to manage this. But I feel that in this particular 
narrow midtone grey range, only 1 or 2 grey partitions are in use and 
adding the HPR non-white tone, both combined do not allow sufficient 
discrimination of grey variations to reproduce a natural look and 
contrast.

I start seriously looking at K7 based on the assumption that numerous 
partitions are allowing for more precision in terms of reproducing 
small grey variations.

Olivier

PS : has dot gain anything to do here ?

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