> From: kingdex1 > > Michael Reichmann: > > "There is an important control at the upper left of the dialog > box titled Auto. Here is what > its purpose is, as described to me by the engineers at Adobe. A > conventional Grayscale > conversion such as you would get in Photoshop using the Mode > menu, or even via some > more complex techniques involving Lab and multichannel mode, or > such as you would get > by simply turning down the Saturation control in Lightroom's > Develop or in ACR, just takes > the colorimetric definition of how luminous a pixel is and uses > that as the gray level. The > results are independent of the actual colors in the image. So, if > the colorimetry does not > provide much differentiation, then the grayscale conversion will > lack detail. > The Auto grayscale option in Lightroom looks for optimal settings > for the grayscale mixer > so that the line from black to white, instead of just following > colorimetric definitions, > follows a path that creates the greatest diversity of grayscale > values, based on the > distribution of colors in the image. Interesting. I try to do this sort of thing with Curves, while watching the histogram. I can't try it since the beta is Mac only, but I expect this feature will appear in the next version of Photoshop. -- Ciao, Paul D. DeRocco Paul mailto:pderocco@...
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RE: [Digital BW] Hidden Power in Adobe's LightRoom
2006-01-12 by Paul D. DeRocco
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