I also saw the Moodies last night (March 25) at the Altria (formerly known as the Mosque in the old days) Richmond VA.
Saw them at same place in March 2014.
As before, and as usual, the first couple of numbers seemed to be buried by the dual drum kits and a noisy wall of sound.
I had some trepidation that slowly lifted, maybe I got my ears adjusted - or maybe they got it dialed in.
But I agree, needed to showcase the strings more....although there were some moments (Isn't Life Strange and NIWS - that were satisfying).
I'm not a big an of the post seven albums - but with M.Pinder and R.Thomas gone I knew the chances of hearing some of my favorites are remote.
That said, the set list did include Gypsy from TOCCC and You and Me from 7thSojurn.
As much as we are tired of NIWS I had to give props to J. Hayward, he delivered it beautifully and forcefully.
Norda does very well on flute.
But like they said in that song You can Never Go Home.
On Saturday, March 26, 2016 3:28 PM, "tron400@yahoo.com [newmellotrongroup]" <newmellotrongroup@yahoogroups.com> wrote:
I saw the Moodies last year (or was it the year before?). Alan Hewitt was using a Memotron, but I don't know if he was using the stock samples or the Streetly samples. It didn't really matter because they were buried in the mix. I put all the blame on the engineer. Engineers suck nowadays. It's become fashionable with them to bury the keyboards. The only good live mix I've heard in the last 10 or 15 years was at a recent Renaissance concert. The keyboards were right up front.
Bernie