There are still a couple of files up that I did with
the 120 & a Yamaha SY2. I'm only hitting one key on
the sy2 every couple of seconds, so the arpeggiation
is all 120/sy2. I think the key here is the sy2 has
an EG assigned to the filter(s)--not sure if it's
modulating freq, res, or both. But I think the 120
tracks the filter pitch rather than the osc pitch,
thus giving some interesting (though not always
predictable) arpeggiation.
I'm sure this could be done strictly with MOTM stuff,
but I haven't tried it yet.
Tom
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