Mike Marsh writes:
>>Is there such a thing as an analog vowel filter? these are often
featured on VA's (Micro Modular, Vaz, etc.) but I haven't seen one as
a real module.<<
Any vocal filter I have in a VA synth sounds lousy. The only advantage they
have is that you can morph between vowel sounds with a single control.
You're better off with 12 db/oct resonant lowpass filters or 24 db/oct next
choice. For some reason even the AS-360 Vocal/Phase 3 band filter bank
doesn't do as good a job as using separate filters.
elle_webb writes:
>>Anyboy have a recipe for a good MOTM-based vocal sound?<<
I've posted the demo below a while back. It's an motm female voice played
against a recording of an orchestra, plus a couple of Doepfer male voices
that you can really only hear for a couple of seconds right at the
beginning. Filesize: 930KB.
http://home.att.net/~elhardt2/MOTM_Female_Voice.mp3Filters used were a 440 for preprocessing of the waveform, one 410, two 420s
(one in LP and one in HP), a 31 band EQ, and a VT-1 to move all the formants
around in one bulk. I also must point out, there is also more to getting
good vocal sounds than just the filtering. It's also about what gets fed
into the filters, and as in the Ion demos below, what's done after the
filters too.
Jason Proctor writes:
>>does doepfer have a vc filter bank perchance?<<
Yes. They have a triple bandpass filter bank that is similar to some degree
to Analog Systems AS-360.
>>minimum config for this trick is two resonant lowpass filters (and
preferably some EQ).<<
That's the method used for most of this also previously posted Ion demo I
did showing a number of subtly different mellotron style choir patches.
Filesize: 2.24MB
http://home.att.net/~synth6/Ion_Tomitas_Mellotron.mp3And below at about the 0:06 point is the Ion patch kind of saying "Wah" by
controlling the two filters with envelopes.
http://home.att.net/~synth6/Alesis_Ion_Western.mp3-Elhardt