Wow, tough question. The 410 is an absolute must-have in my
opinion. It is so versatile, you will rapidly not want to live
without it.
The 420 has a very particular character that I love, and it distorts
nicely when overloaded. the 440 is beautiful, too, but it doesn't
always works distorted.
The 480 is completely amazing. You get a real bouncy, moogy sound
out of it. Of all, the 480 is less versatile, but definately
has 'that sound'.
The 120 is also a very multi-faceted module. You can use it as a
straight 'octaver' (but down to ∗4∗ octaves!). You can make it ring
modulate the octaves to produce really weird timbres. And you can
use it as a kind-of sequencer.
Yep. They are all must-haves...I'd hate to have to choose!
Mike
--- In motm@y..., "auddog33" <matthew_macdonald@u...> wrote:
> Hi all,
>
> I'm new to your group and have just begun work on my MOTM synth.
> I've just finished my cabinet and power supply and expect my first
> shipment of modules any day now. My cabinet can hold 20 rack-
spaces
> worth of modules, and my current plan includes 13 modules. I will
> definiately be building the 440 filter and would like to include
> another but I'm not sure which one. My question is: has anyone
> heard/used all of Paul's filters and prefer one over the other?
> Also, is the sub-octave multiplexer a must-have module?
>
> I welcome any/all advice. Thanks!
>
> Matt