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I know & appreciate what you're saying, and normally I wouldn't start modding an analogue, hybrid or not, and I've owned a fair few over the years.
I got this cheap and as I'm already modding it for the filter, FM, 12db mods etc then why not. As mentioned I'm not thinking of taking the chorus out I just want to tap in before it really and as there's loads of space inside I can mount an overdrive board.
because it's generally cheap it does have some excellent mods which to be honest sound like they improve it a lot and I don't believe really destroy any value as such.
...and anyway.... I need a project now that I have kids and don't get out playing much ;)
--- In korgpolyex@yahoogroups.com, Jason Adkins <jason_ralf808@...> wrote:
>
> The Poly 800 mk1 is a great machine, one of the worlds top ten best
> selling synths of all time,probably top 5,i have the EX-800 module
> which is the same thing but not as nice to use.
> Anyway if you modify the Poly 800 too much it ceases to be a Poly 800
> anymore doesn't it? def do not get rid of the chorus you can overdrive
> it with a guitar pedal/mixer/multi-fx
>
> J
>
>
> On 17 Jun 2013, at 00:48, gixxer1052 wrote:
>
> > Hi,
> >
> > thanks for the reply,
> >
> > I'm not 'too' bad at soldering, I repair phones, laptop dc power
> > jacks etc on a fairly regular basis as part of my job but yeah
> > you're right, I'll practice a bit more before I tackle this and
> > building a clone is a great idea! :)
> >
> > Ahh yes of course, tap in prior to the chorus board, following the
> > video I read his description as that he'd replace the chorus circuit
> > with overdrive (possibly as his chorus was dead) but your thoughts
> > make much more sense. My question on this bit is.... which point do
> > I tap into, I've had a look at the circuit diagrams but can't make
> > it out. which wires to tap into on the loom to the chorus board
> > would be a huge help.
> >
> > Thanks again, I'll keep updates coming and post some piccies up as I
> > tackle it.
> >
> > Great forum, I'm glad the poly isn't being berated as it seems to be
> > on most forums out there!!
> >
> > p.s have you seen this young guy's stuff, get's some great sounds
> > with a stock poly mk1 (vid gets better as it goes along)
> >
> > http://www.youtube.com/watch?v=VhXTKiAbmow
> >
> > --- In korgpolyex@yahoogroups.com, Gordon JC Pearce <gordon@>
> > wrote:
> > >
> > > On Sat, Jun 15, 2013 at 10:24:22PM -0000, gixxer1052 wrote:
> > > > I'm handy with a soldering iron and have the schematics, but I'm
> > afraid my electronics training was last in 1987 so most of it has
> > leaked from my brain.
> > >
> > > Practice your soldering on something you can afford to replace!
> > Don't leap in and start hacking away at your beloves Poly 800 until
> > you are confident in your ability to solder and desolder stuff
> > without screwing things up beyond all hope of repair.
> > >
> > > I just can't say this often enough, and yet still I get folk
> > coming up to me with stuff that looks like it's been soldered with a
> > red hot breadknife and saying "uh yeah it wasn't sounding right and
> > I recapped it and now it doesn't work". Don't be that guy. That guy
> > is a dick.
> > >
> > > How do you get practice? Well, maybe you should build some kits?
> > Oh, I know! Why not build some distortion pedal clones on veroboard?
> > You can never have too many fuzzboxes. You need ∗more∗ fuzzboxes.
> > Get building. Your first ones might suck a bit, but that's probably
> > fine too. Use them for things that need to suck. It worked for
> > Throbbing Gristle, right?
> > >
> > > > Could somebody possibly tell me how i could do this mod? I've
> > message the youtube user but he's hasn't responded, also how would I
> > retain the stereo or split L/R mono, as it's going into a stereo
> > reverb/delay unit.
> > >
> > > There are a couple of ways to approach this. Chorusers work well
> > on stuff with lots of upper partials - nice bright noises that it
> > can comb filter away at. A good way to generate lots of harmonics is
> > to clip the signal - with a fuzzbox! So, one way to do it would be
> > to insert your fuzzbox between the synth board and the input of the
> > choruser board. This would probably give you the most musically- and
> > sonically-useful setup.
> > >
> > > You could tap the distortion into the output of the choruser, but
> > then you'd need two. You might get some interesting effects by
> > distorting one side more than the other, and maybe mixing them back
> > together in some proportion.
> > >
> > > Let us know how it works out for you ;-)
> > >
> > > --
> > > Gordonjcp MM0YEQ
> > >
> >
> >
>