yes Brian I fully agree...
but what I wanna point is :
where do we see everybody wanting it ? a few guys yes... a few
fans ... a few people who like the sound.
but it's definitely not the 80's again.
I think the main reason people get excited about simmons & simmons are
rare,
is that owners never wanted to sell them for so low having bought
them for so much.
they are so rare , but so many has been sold ... Where are they today ?
ok so quite a lot went also to the bin... so how many are really used
today ?
Therefore I have to add that speaking with a spanish a technician-
collector that wanted 1000e for a basic SDS7, he said that for him it
was the componants spares that gave the value for them ...
So the CEM curtis I suppose... & in a way why not ... ?
But as Jesper he's saying ... Whatever there is in it ... what can it
do ?
& that's normally what the musician /DJ or programmer is expecting the
most, without caring for the inside...
I guess that's a mixing of every influences that makes this craziness
sometimes...
But what everybody is forgetting , it's the maintenance it will need
very soon ... All that valuable SSM or CEM are probably closer to
their death than ever.
The Eproms as well ... the capacitors all need to be changed 20 years
later...
We're looking at that state points when buying a car ... negociating
the price in function of the state of the machine which forces us to
face a reality.
The musician forget about that reality I think. lost in the fantasy
world of sound... so does the collector ...
There is the cosmetic appearance... & the hours it played... We
shouldn't forget that when buying...
My both SDS7 need a big lifting to become reliable for example... If I
paid the high price for them it would be exactly the same...
For the moment I have a possible source of sounds for recording & it's
great... but impossible to bring it on stage...
So I'm really glad I thought twice before buying...
anyway thanks for bringing elements...:-)
It's good to speak about generally untold things ...
HAve a nice day :-)
Le 23 f�vr. 10 � 10:09, brian walker a �crit :
> Hi All
>
> >But the musician's point of view is not exactly the same as the
>
> collector's view...
>
> Then there is the speculator and the investor and the tax man!!!
>
> A lot of old (and not so old) gear is sold off to by musicians to
> repay debts and by investors to move on to something else that is HOT
>
> The whole music / fashion business is a circular thing
>
> Issue at as high a price as the market will stand
>
> Reduce price and sell old unwanted stock (TB-303 for �89:00))
>
> Second hand prices slowly fall (303 now �25:00)
>
> Someone has a hit using said instrument and everybody wants one (303
> �1000)
>
> One of those sorry that was last years fashion!!! (303 �500)
>
> Savvy musicians spot a good deal and prices rise
>
> Everybody moves in and prices rocket again (303 �1500)
>
> Bad investment and the instrument is dumped
>
> Join the circle and go round again
>
> Get on and off when you feel you can afford it
>
> At the moment I am sitting it out and enjoying playing with the gear
> that I have
>
> Brian
>
> --- On Mon, 2/22/10, jesper <jesper@...> wrote:
>
> From: jesper <jesper@...>
> Subject: Re: Betr: Re: [Simmons Drums] bloody absurd
> To: Simmons_Drums@yahoogroups.com
> Date: Monday, February 22, 2010, 4:29 PM
>
>
>
> rubbus skrev:
>
> > Any item or service is worth exactly what someone is willing to
> pay for
>
> > it. The market will decide and correct. :)
>
> Certainly!
>
> --
>
> electronically yours, jesper
>
> - -- --- ---- ----- ---- --- -- -
>
> www.electronic- obsession. se
>
> [Non-text portions of this message have been removed]
>
>
>
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