You are so right. moving away from filters et al is a brilliant way of finding new sorts of
sounds. I have a foot in both worlds coming from the time when e music was the familiar
of prog along with jazz. Metal is that familiar now. And having a Buchla user on my now
sold off record label along with a the first Moog user. Mixing the approaches could yield
something totally new, like really new as opposed to new because you missed it or wasn't
born new.
--- In ModularSynthPanels@yahoogroups.com, Scott Deyo <contact@...> wrote:
>
> The Forbidden Planet stuff is fantastic -- organic and barely in
> control. I'll have to find that story you read.
>
> That's the main draw of CGS stuff for me -- I don't always get the
> results I'd expect. It's like having a collaborator. I listened to
> Morton Subotnik a few months ago, and it was interesting to hear him
> describe his relationship w/ the Buchla.
>
> Scott Deyo
> The Bridechamber
> contact@...
> www.bridechamber.com
>
>
> On Oct 28, 2007, at 10:02 PM, mcb, inc. wrote:
>
> > On Sun, 28 Oct 2007, Scott Deyo wrote:
> >
> > >>
> > >> More hybrid than analog, perhaps? Maybe we could use an actual
> > >> analog computer module...
> > >
> > > Do mean transistors instead of CMOS? Or tube logic? : )
> >
> > That could be good. I just bought a bunch of Soviet decatrons
> > and I'd like some eye tubes too.
> >
> > > I remember doing searches for analog computers on eBay, and there
> > were some
> > > interesting old kits out there.
> >
> > That's more what I'm thinking about. I read through the story
> > and analysis of the Forbidden Planet soundtrack not too long
> > ago. I want to try some things in the area Louis was working
> > in....
> >
> > --
> > Monty Brandenberg
> >
> >
>