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----- Original Message -----From: David JacquesSent: Sunday, March 12, 2006 8:04 PMSubject: RE: [Mellotronists] Re: Roxy M400 live 1974 (+ King Crimson Live!)Just listen to the drum break right after the fast bebop section of Schizoid Man from the Fillmore East… You actually hear the audience freak out in amazement at that drum roll…
Fripp speaks of M. Gile’s musicianship in the liner notes of the CD… No one sounded like him, or played like him…
-----Original Message-----
I agree with your comments about Mike Giles. I think that M. Giles
drumming with Crimso is amazing. One of my favorite rock drummers of
all time. :) Perhaps a drummer that has been overlooked...?
--- In Mellotronists@yahoogroups.com, "David Jacques" <djacques@...>
wrote:
>
> When you think about how those 1969 Crimson live tapes were
recorded, it is
> amazing that any fidelity had survived. I believe that the Fillmore
East
> tapes were from an ancient cassette deck held by someone in the
audience. I
> had one of those when I was 13.
>
> To hear the incredible drumming by Michael Giles, even in lo-fi, is
just
> mind-boggling... Has anyone, besides Fripp, truly appreciated his
genius?
> -----Original Message-----
> From: Mellotronists@yahoogroups.com
> [mailto:Mellotronists@yahoogroups.com]On Behalf Of mlcsixand78s
> Sent: Sunday, March 12, 2006 2:14 AM
> To: Mellotronists@yahoogroups.com
> Subject: Fw: [Mellotronists] Re: Roxy M400 live 1974 (+ King
Crimson
> Live!)
>
>
> In response to earlier posting on this subject:
>
> LIVE CRIMSON _ LO-FI
> Yes some of the earliest live Krimson recordings released are lo-
fi.
> But many of the gigs from the Wallace & Wetton eras have very good
> fidelity. I have many of the KC kCollectors Kclub releases. I
highly
> recommend them.
>
> KC 1ST LINE UP RECORDINGS
> Since the earliest Crimso was so long ago I heard rumor that T.
> Edison attended some of the first US gigs... hmm? Maybe a Detroit
> gig? Perhaps Thomas Edison made some boot recordings of Crimso?
> Maybe Fripp got a hold of these original disks and used them for
some
> of the 'Club releases ...
> ... (haaa, what, huh, where am I? ohhh, what a strange dream).
>
> EDISON DISCOTRON? (or CYLIDRICA-TRON?) (or WAX-CYLI-TRON)?
> Wow, what a beast that would be. All those disks, styli, horns,
etc.
> used as a "sampler/playback" instrument. It could even be powered
> with a small steam engine! Think of it! THE ULTIMATE ANALOG (or is
> that analouge?)instrument. No electronics needed! What a dream! If
> there was a power cut during a gig the 'Edi-Tron-ist' and drummer
> could keep playing happily along, improvising a "duo/solo" to keep
> the audience happy.
> ... ahh, but on stage there might be some technical issues with
very
> low freq. vibrations from, for example, bassists of Wetton
> proportions or drummers with a Bonzo like bass drum foot. This
could
> have all those styli hopping around like a crowd of punkers in a
mosh
> pit.
>
> OK, enuff. back to reality for me.
>
> ;)
>
>
> --- In Mellotronists@yahoogroups.com, lsf5275@ wrote:
> >
> > In a message dated 3/11/2006 6:08:24 P.M. Eastern Standard Time,
> > jonesalley@ writes:
> >
> > and the needle snaps back to the start of the groove every time
> you lift the
> > key….hmmmmm……I guess you’d need 35 horns, too…….Can
you
> imagine the
> > sounds coming out of something like that?!?
> > All attack and less than zero aftertouch.
> >
>
>
>
>
>
>
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