Hi Jerry,
At 12:25 PM 7/28/2003 +0000, you wrote:
>--- In AN1x-list@yahoogroups.com, Bruce Wahler <bruce@a...> wrote:
>> Hi Jimmy,
>>
>> >Since the AN1X is modelled after the late 70s early 80s polyphonic
>> >analog synths, what kind of keyboard amps did they use then?
>>
>> Fender Twins and Roland Jazz Chorus models were popular, as were
>dedicated keyboard amps like the Peavey KB300. Many players I knew
>used those little powered mixers by Peavey, Carvin, etc.
>
>
>What kinds of timbres would they be pumping through these amps? I
>believe Jon Lord used marshalls for his B3 occasionally. Were they
>sending full range timbres, like B3 or mellotron? Or more
>rounded/lead tones?
Jan Hammer used a Minimoog through his Fender Twin, along with his Rhodes. His work with John MacLaughlin and Billy Cobham, and even the theme from Miami Vice, were created on this combination. This is purely an example, though, as there was no such thing as a powered speaker like the JBL Eon yet, or a dedicated keyboard amp until around 1982, so players experimented and used whatever was laying around. The Twin/Rhodes combination was very popular in the late '70s. I remember using a Fender 200W powered PA mixer, which was considered pretty advanced by some of my peers.
Also, while Jon Lord used Marshall amps for his B3, the were not stock models; they had been modified for use with Hammond Organ. Lord also used Acoustic 360 and 370 amps from time to time.
Regards,
-BW
--
Bruce Wahler
Ashby Solutions™
http://music.ashbysolutions.com978.386.7389 voice/fax
bruce@...