say uh, jimmy, what article is that in the new keyboard mag?
> Craig Anderton has a good article on hard sync in the latest Keyboard
> Magazine. The AN1X does hard sync especially well.
>
> The cool thing about hard sync-the slave oscillator's pitch doesn't
> affect the pitch of the note.It only affects the harmonic content. So
> to get nice metallic sounds, alter the slave pitch as many ways as
> possible-on the AN1X there's a lot of options.
>
> First, shut off osc 2. Turn the mix volume all the way down. Now
> change the algorhithm to fm+slv. That means the fm will only affect
> the slave wave.
>
> Then set the sync pitch to a positive number. You only get hard sync
> if the sync pitch(the slave oscillator) is higher than the master
> pitch. Now set the sync pitch depth to some nice high number like 40.
> Set the source to filter envelope. Now the sync pitch will change
> with the filter envelope for a nice sweep. Your note will still be in
> tune.
>
> Now set the pitch modulation so the oscillator pmod will only affect
> the slave oscillator. Now you've got LFO 1 and the filter envelope
> modulating the slave. Now go to fm. The algorithm is set up so the fm
> only modulates the slave oscillator. Set the fm to some cool number-
> 24 and set up an envelope for the modulation (fm source 1) and a
> modulator-I like to use VCO 1.
>
> You'll find an awesome polysynth sounth, harmonics floating off in
> all direction. Use one of the mod effects-flanging or phase shift,
> with some cheap tinny plate reverb for extra oomph.. Two things make
> the sound more or less useable. You have to play with the amplitude
> envelope. I don't know why but the release decay and sustain really
> affect the tone(and can affect whether the patch sounds in tune or
> not). Also the LFO reset should be played with-two different sounds
> depending on whether it's set to key on, or off.
>
> Sounds cool. Now take scene two and do it all again, only this time
> set the sync pitch way up high and set the pitch depth to a negative
> number. Now you have all the harmonics going the opposite direction.
> Layer those two sounds and you've got a monster polysynth sound.
>
> Rainbow Jimmy
> http://www.spaceanimals.com
> http://www.mp3.com/spaceanimals
>
>
>
> Community email addresses:
> Post message: AN1x-list@yahoogroups.com
> Subscribe: AN1x-list-subscribe@yahoogroups.com
> Unsubscribe: AN1x-list-unsubscribe@yahoogroups.com
> List owner: AN1x-list-owner@yahoogroups.com
>
> Shortcut URL to this page:
> http://groups.yahoo.com/group/AN1x-list
>
>
> Your use of Yahoo! Groups is subject to http://docs.yahoo.com/info/terms/
>
>