First find a patch kind of "bassoony" (or any double-reed type instrument
sound) on the AN1X, use it twice (layer the patch), detune + and - on the
cents on each of the single patches until it sounds right. I hope I am using
the proper terms here as I have number of synths and find it hard to keep
all the terms straight for each one with its individual idiosyncrasies.
If you can layer 3 patches of the same single patch, put one "in tune" and
the other two detuned the same amount.....one on the + side, the other on
the - side.
That should get you close. I am not one to involve algebra in these kinds of
things, just tweak, tweak, tweak till you get what you want...;-)
(I did this on an Ensoniq TS-12 and the result was excellent. Order my cd if
you want to hear it;-).....)
Linda
--
"I don't make music for sissies"--Charles Ives
http://www.dachtyl.com/tuskermusic wrote:
> I am thinking two scenes, four oscillators, fairly thin pulse waves,
> lots of pulse width modulation, lfo pitch modulation and chorus. A
> little pitch bend (up?) on attack, maybe a a tiny bit of osc sync
> swept by the pitch bend envelope to give that reedy squeal on the
> attack.
>
> Does this sound right? How should I approach the patch?
>
> Jerry
>