<html><head><meta http-equiv="Content-Type" content="text/html; charset=utf-8"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><br class=""></div><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div><blockquote type="cite" class=""><div class="">On Oct 6, 2024, at 5:40 PM, brianw <<a href="mailto:brianw@audiobanshee.com" class="">brianw@audiobanshee.com</a>> wrote:</div><br class="Apple-interchange-newline"><div class=""><div class="">That particular article seems to have a few issues.<br class=""><br class="">For one thing, an engineer that worked with The Beach Boys in the studio and on tour says that the Eltro was not used for those songs, and was not even available at the time.<br class=""></div></div></blockquote><div><br class=""></div>I've never heard anything of the sort in any of their music. OTOH, Murray insisted that Brian's voice be pitched up in "Caroline, No" because he didn't think it was high enough anymore. I'm sure they slowed the tape down.</div><div><br class=""></div><div><br class=""><blockquote type="cite" class=""><div class=""><div class="">For another thing, I don't hear warbling in the computer speech in 2001: A Space Odyssey, </div></div></blockquote><div><br class=""></div><div><div>The "Daisy" scene at the end has always left me wondering. It could have been done by speeding the tape up for recording and THEN pitching it down to a smaller degree, minimizing the warbling.</div><div class=""><br class=""></div><div class=""><div><div>ZBS Foundation has used pitch transposers for their radio dramas since 1972. Warbling is considerable at lower pitches but that's part of the scene. I'm not quite sure when they switched to digital but it was probably immediately after the Harmonizer was introduced. They've always been on the cutting edge, so to speak.</div><div class=""><br class=""></div></div></div></div><br class=""><blockquote type="cite" class=""><div class=""><div class="">and I really do not understand why advanced, real-time pitch shifting would be needed in a movie production. <br class=""></div></div></blockquote><div><br class=""></div><div>Why wouldn't Kubrick's vision include audio? That production required three special effects crews working for the over two years on the visuals and none of the supervisors received an Oscar because the Academy rules didn't allow it. </div><div><br class=""></div><div>I'm inclined to believe Wendy. This is the guy who had a modified Polaroid camera that he used to check the lighting of every shot. Boy, is the lighting beautiful in that film.</div><div><br class=""></div>For a deep look into the production of <i class="">2001: A Space Odyssey</i>, I highly recommend Cinema Tyler's videos:</div><div><br class=""></div><div><a href="https://www.youtube.com/watch?v=AgNyCluIRhA&list=PLGciYgiR4atGcBOIuOmLQBXUj692TV6R0" class="">https://www.youtube.com/watch?v=AgNyCluIRhA&list=PLGciYgiR4atGcBOIuOmLQBXUj692TV6R0</a></div><div><br class=""></div><div><br class=""></div></div><div class="">
<div dir="auto" style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class="">Terry Bowman, KA4HJH<br class="">"The Mac Doctor"<br class=""><br class=""><a href="https://www.astarcloseup.com" class="">https://www.astarcloseup.com</a><div></div><div class=""><br class=""></div><div class=""><i class="">"2001: A Space Odyssey</i><span class="Apple-converted-space"> </span>is in many respects a silent film."—Roger Ebert</div></div></div></div>
</div><div class=""><br class="webkit-block-placeholder"></div><div class=""><a href="https://www.rogerebert.com/reviews/great-movie-2001-a-space-odyssey-1968" class="">https://www.rogerebert.com/reviews/great-movie-2001-a-space-odyssey-1968</a></div>
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