<html><head><meta http-equiv="Content-Type" content="text/html; charset=us-ascii"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><br class="">
<div><br class=""><blockquote type="cite" class=""><div class="">On 12 Aug 2024, at 14:38, Mike Bryant <<a href="mailto:mbryant@futurehorizons.com" class="">mbryant@futurehorizons.com</a>> wrote:</div><div class=""><br class="Apple-interchange-newline"><span style="caret-color: rgb(0, 0, 0); font-family: Aptos, Aptos_EmbeddedFont, Aptos_MSFontService, Calibri, Helvetica, sans-serif; font-size: 16px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; float: none; display: inline !important;" class="">It might be worth (digitally) monitoring how many keys are pressed and reducing the gain by some sort of curve above a certain number of keys pressed.</span></div></blockquote></div><br class=""><div class="">Somehow I doubt that's what Korg did!!</div><div class=""><br class=""></div><div class="">I think you just pick a number of how many notes you want to play with the guarantee of no distortion, and then design for that. Even adding more notes into the area where they could theoretically create distortion it won't necessarily happen since waveform peaks rarely line up, or if they do, it's only very briefly. You generally get a fair bit of leeway beyond the worst case scenario.</div><div class=""><br class=""></div><div class="">Tom</div><div class=""><br class=""></div></body></html>