<html><head><meta http-equiv="content-type" content="text/html; charset=utf-8"></head><body dir="auto">in that case, i'd recommend experimenting in Supercollider - very easy way to explore all sorts of intonations, and come up with your own.<br><br><div dir="ltr">sent from outer space</div><div dir="ltr"><br><blockquote type="cite">On 5 Nov 2023, at 14:23, Didier Leplae via Synth-diy <synth-diy@synth-diy.org> wrote:<br><br></blockquote></div><blockquote type="cite"><div dir="ltr"><meta http-equiv="content-type" content="text/html; charset=utf-8"><div dir="ltr"></div><div dir="ltr">I’m not necessarily excluding digital. Probably the path of least resistance would be the first thing to try.</div><div dir="ltr"><br><blockquote type="cite">Le 5 nov. 2023 à 12:22 PM, ulfur hansson <ulfurh@gmail.com> a écrit :<br><br></blockquote></div><blockquote type="cite"><div dir="ltr"><meta http-equiv="content-type" content="text/html; charset=utf-8">well, you can of course derive natural harmonics or subharmonics from an oscillator, say by using soft sync or a harmonic oscillator circuit.<div><br></div><div>other than that most analog oscillators do not track well enough to pin down subtle characteristics of different intonations. I've gotten past this problem in the past implementing DCO's, or digital clock sources to sync my analog vco's to very precise frequencies.<br><br><div dir="ltr">sent from outer space</div><div dir="ltr"><br><blockquote type="cite">On 5 Nov 2023, at 10:55, Mike Bryant <mbryant@futurehorizons.com> wrote:<br><br></blockquote></div><blockquote type="cite"><div dir="ltr">
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I just do almost every scale known in software. Can't think it would be easy in analogue hardware.<br>
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<div id="divRplyFwdMsg" dir="ltr"><font face="Calibri, sans-serif" style="font-size:11pt" color="#000000"><b>From:</b> Synth-diy <synth-diy-bounces@synth-diy.org> on behalf of Didier Leplae via Synth-diy <synth-diy@synth-diy.org><br>
<b>Sent:</b> 05 November 2023 04:52<br>
<b>To:</b> synth-diy@synth-diy org <synth-diy@synth-diy.org><br>
<b>Subject:</b> [sdiy] Shifting just intonation</font>
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<div class="PlainText">As far as I understand, the biggest problem with just intonation scales, is that they are based around one tonal center or fundamental.
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However, with modern electronic instruments, it seems possible to create an instrument that could retune to each new fundamental.<br>
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I know that Wendy Carlos did some recordings utilizing a system like this. <br>
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I’m curious if people know of other examples.<br>
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Also, curious if people have thoughts/ideas on tackling this problem. <br>
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