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<div class="moz-cite-prefix">Hello Terry<br>
<br>
Am 22.06.22 um 01:07 schrieb Terry Bowman via Synth-diy:<br>
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<blockquote type="cite"
cite="mid:CB8434D2-FD1C-4A13-AF22-B3F2FAC06D83@gmail.com">
<div>There's a web site somewhere that has all of the variations
used in string synths, the Dimension D and so on.</div>
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My site lists the roland chorus'es:<br>
<a class="moz-txt-link-freetext" href="https://www.florian-anwander.de/roland_string_choruses/">https://www.florian-anwander.de/roland_string_choruses/</a><br>
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<blockquote type="cite"
cite="mid:CB8434D2-FD1C-4A13-AF22-B3F2FAC06D83@gmail.com">
<div>I suppose you could run one at the highest possible
frequency/shortest delay time and have the second, modulated BBD
in parallel. That would make flanging with insanely high
frequency peaks/notches possible. Or something like that. Has
anyone tried it?</div>
</blockquote>
Not with the SAD1024, but it is one of the best tricks with the Korg
SDD-1200 (or the SDD3300): Set the delaytime to on both channels to
10ms, modulate only one channel and listen to the mono mix of the
100%-effect-signal of both channels. => It is, what I call "thru
zero flanging". I love it.<br>
<br>
Florian<br>
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