<html><head><meta http-equiv="content-type" content="text/html; charset=utf-8"></head><body dir="auto"><br><br><div dir="ltr">Sent from my iPhone</div><div dir="ltr"><br><blockquote type="cite">On Feb 14, 2020, at 1:50 PM, Jimmy Moore <jamoore84@gmail.com> wrote:<br><br></blockquote></div><blockquote type="cite"><div dir="ltr"><div dir="ltr">This came up on the AH "behringer RD-6" thread:<div><br></div><div>>>Until the PCB traces are curvy (like on a 2600 or SEM) it's never going to sound authentic. Electrons don't like corners.</div><div><br></div><div>I had picked up similar folk knowledge from my first engineering job working alongside techs, EE's, and designers. I went looking for a more technical explanation on why this is the case, and it turns out it is NOT: </div><div><br></div><div><a href="https://resources.altium.com/pcb-design-blog/pcb-routing-angle-myths-45-degree-angle-versus-90-degree-angle" target="_blank">https://resources.altium.com/pcb-design-blog/pcb-routing-angle-myths-45-degree-angle-versus-90-degree-angle</a></div><div><br></div><div>(Notable exceptions being RF, high speed, or high voltage layouts)</div><div><br></div><div>This and <a href="https://electronics.stackexchange.com/questions/226582/pcb-90-degree-angles">another</a> resource debunk the pcb corner myth on EMI effects. </div><div><br></div><div>Is there any other tangible (audible) impact this decision could have for music electronics? I think not, but I'd love to hear from other more experienced engineers on this (hopefully not tiresome) topic.<br></div><div><br></div><div><br></div><div><br></div><div><br></div><div><br></div><div><br></div><div><br></div></div>
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