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    <p>Bernard,</p>
    <p><br>
    </p>
    <p>I think you mix up my comments and misses my point.</p>
    <p>I know what order of filter and Q of the pole-pairs do.</p>
    <p><br>
    </p>
    <p>For speech clarity, you want the group-delay to be flat, and
      essentially no ringing. This moves you away from high-Q solutions.
      Some have used high-Q solutions to make simple filters with enough
      slopes, but they miss out on the properties of the filters and
      what it does in the application. For maximum flat group-delay,
      Bessel-Thompson is the ideal to look for. The selectivity you get
      by degree of the filter to have slopes from that rather than Q.<br>
    </p>
    <p><br>
    </p>
    <p>Cheers,<br>
      Magnus<br>
    </p>
    <p><br>
    </p>
    <div class="moz-cite-prefix">On 2019-09-04 05:40, Bernard Arthur
      Hutchins, Jr wrote:<br>
    </div>
    <blockquote type="cite"
cite="mid:BN8PR04MB6036C0A583110B460F91D16ABCB80@BN8PR04MB6036.namprd04.prod.outlook.com">
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            <span style="font-size:10.5pt;
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                  style="font-size: 12pt;"> </span></o:p></span></p>
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            <span style="font-size: 12pt; font-family: Helvetica,
              sans-serif; color: rgb(51, 51, 51);">Magnus –<o:p></o:p></span></p>
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            <span style="font-size:18.0pt;
font-family:"Helvetica",sans-serif;color:#333333"><span
                style="font-size: 12pt;">I think we would agree that
                there may be reasons for considering bandpass responses
                of order greater than 2 – but getting a higher Q
                (sharper peak) is</span><span style="font-size: 12pt;"> </span><span
                style="font-size: 12pt;">not likely to be one of them.</span><span
                style="font-size: 12pt;"> 
              </span><span style="font-size: 12pt;">Usually the sharper
                Q is obtainable just by increasing the performance Q of
                the second-order.</span><span style="font-size: 12pt;"> 
              </span><span style="font-size: 12pt;">It’s not like the
                case with low-pass where extra poles give you a sharper
                roll-off rate JUST BEYOND the corner (like 24 db instead
                of 12).</span><span style="font-size: 12pt;"> 
              </span><span style="font-size: 12pt;">With a high-Q BP,
                the “skirts” begin well after the response is well below
                the peak.
              </span><o:p></o:p></span></p>
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            <span style="font-size:18.0pt;
font-family:"Helvetica",sans-serif;color:#333333"><span
                style="font-size: 12pt;">If you DO want sharper “skirts”
                (say 12 db on each side of the peak instead of the 2</span><sup><span
                  style="font-size: 12pt;">nd</span></sup><span
                style="font-size: 12pt;">-order 6db on each side), then
                a cascading of identical BPs is the ticket. The Q
                increases in such cases, but distressingly slowly- if I
                recall. So it is probably not even a good way to sharpen
                a BP.</span><o:p></o:p></span></p>
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            <span style="font-size:18.0pt;
font-family:"Helvetica",sans-serif;color:#333333"><span
                style="font-size: 12pt;">The real use of (and meanings
                of) higher-order BP is to achieve a flatter passband.</span><span
                style="font-size: 12pt;"> 
              </span><span style="font-size: 12pt;">The poles are
                slightly offsets so that when we move away from one,
                with a declining gain, the next pole takes over.</span><span
                style="font-size: 12pt;"> 
              </span><span style="font-size: 12pt;">This is so-called
                “stagger-tuning” - a difficult design.</span><o:p></o:p></span></p>
          <span style="font-size: 12pt;"></span>
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            <span style="font-size: 12pt; font-family: Helvetica,
              sans-serif; color: rgb(51, 51, 51);"> </span></p>
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            <span style="font-size: 12pt; font-family: Helvetica,
              sans-serif; color: rgb(51, 51, 51);">But the design is
              easy if one uses a lowpass-to-bandpass transformation for
              Butterworth or Chebyshev:
              <o:p></o:p></span></p>
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            <span style="font-size:18.0pt;
font-family:"Helvetica",sans-serif;color:#333333"><span
                style="font-size: 12pt;"> </span></span><span
              style="color:black;mso-color-alt:
              windowtext"><span style="font-size: 12pt;"> </span><a
                href="http://electronotes.netfirms.com/AN336.pdf"
                id="LPlnk802802" class="OWAAutoLink"
                previewremoved="true" moz-do-not-send="true"><span
                  style="font-size: 12pt;">http://electronotes.netfirms.com/AN336.pdf</span></a></span><span
style="font-size:18.0pt;font-family:"Helvetica",sans-serif;color:#333333"><o:p></o:p></span></p>
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      <pre class="moz-quote-pre" wrap="">_______________________________________________
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