<html>
  <head>
    <meta http-equiv="Content-Type" content="text/html; charset=utf-8">
  </head>
  <body text="#000000" bgcolor="#FFFFFF">
    <p>I guess the genesis of the word 'synthesizer' comes from the
      notion that a natural instrument sound is being created
      artificially. But the 'synthesizer' quickly became a proper
      instrument when it became clear it could make sounds no natural
      instrument could. So if a synthesizer can be an instrument, why
      can't an instrument like the Telharmonium be a synthesizer? After
      all, the term 'bacteria' wasn't around during the Black Death, but
      we still use it to describe the pathogen responsible.</p>
    <p>--tim (picking nits) ressel<br>
    </p>
    <br>
    <div class="moz-cite-prefix">On 5/29/2018 9:27 AM, Quincas Moreira
      wrote:<br>
    </div>
    <blockquote type="cite"
cite="mid:CA+u0Jtm69CY8biOvuqJ6mNZdaowpAL8i3hcUKujo6yJwFjUp2w@mail.gmail.com">
      <div dir="ltr">Pete, the Telharmonium, the Novacord, the Ondes
        Martenot, the Trautonium and even the Hammond Organ, all could
        be considered early synths.  However, they still lack any kind
        of control interaction between different parts, except for maybe
        some rudimentary envelopes. They are mostly manually controlled
        via hands on drawbars, ribbons, keys, switches and levers.  And
        the term "Synthesizer" did not exist then. It was born with the
        RCA Mark II. So for historical clarity, though these instruments
        can behave like synths, I still insist on calling them early
        electronic musical instruments, but not synths. At least that's
        what I tell students at my lectures. It's kind of subjective I
        guess...<br>
        <br>
        <br>
      </div>
      <div class="gmail_extra"><br>
        <div class="gmail_quote">On Tue, May 29, 2018 at 11:06 AM, Tim
          Ressel <span dir="ltr"><<a
              href="mailto:timr@circuitabbey.com" target="_blank"
              moz-do-not-send="true">timr@circuitabbey.com</a>></span>
          wrote:<br>
          <blockquote class="gmail_quote" style="margin:0 0 0
            .8ex;border-left:1px #ccc solid;padding-left:1ex">At the
            risk of sounding smart-ass-ish, define DIY.  If you are the
            first to do something, it that automatically DIY?  Is Robert
            Moog guilty of DIY?  What about Thaddeus Cahill and his
            Telharmonium, is that DIY?<br>
            <br>
            --tim (and his highly intelligent bottom) ressel
            <div class="HOEnZb">
              <div class="h5"><br>
                <br>
                <br>
                On 5/29/2018 4:36 AM, Rob Kam wrote:<br>
                <blockquote class="gmail_quote" style="margin:0 0 0
                  .8ex;border-left:1px #ccc solid;padding-left:1ex">
                  Unlike for the history of electronic music <a
                    href="http://120years.net/" rel="noreferrer"
                    target="_blank" moz-do-not-send="true">http://120years.net/</a>,
                  apparently<br>
                  there's not much documentation specifically for the
                  history of DIY<br>
                  electronic music equipment. I have some questions, if
                  I may.<br>
                  <br>
                  How to define SDIY - it's not just exclusively synths,
                  amateurs making<br>
                  electronic music circuits as opposed to plugging
                  together ready-made parts?<br>
                    When did SDIY begin and how has it developed over
                  the years? Especially<br>
                  since the invention of semiconductors but before then
                  should also be<br>
                  included. What were the significant moments and who
                  were the pioneers along<br>
                  the way?<br>
                  <br>
                  Bob Moog sold Theremin kits in the 1950s. Guitar
                  pedals began development in<br>
                  the 1960s. Before this there were guitar amplifiers
                  with effects built in,<br>
                  and earlier still people used magnetic tape. The PAiA
                  FAQ states that the<br>
                  1970s were busy, the 1980s were quieter, (with the
                  hobbyists being<br>
                  distracted by PCs) and that interest picked up again
                  in the 1990s. PAiA has<br>
                  been producing synthesizer kits since 1972.
                  Electronotes started in 1972.<br>
                  Various magazine articles by authors such as Tim Orr,
                  John Simonton, Don<br>
                  Lancaster, Craig Anderton, etc. give some sort of
                  indication. The earliest<br>
                  DIY electronic music instrument books seem to be from
                  the early to<br>
                  mid-1970s.<br>
                  <br>
                  How to distinguish what's SDIY from R&D? Obviously
                  the pioneers and<br>
                  inventors like Harald Bode and Kraftwerk had to DIY;
                  does this get ignored?<br>
                  Does it begin with the electro-magnetic Helmholtz
                  resonator?<br>
                  <br>
                  ______________________________<wbr>_________________<br>
                  Synth-diy mailing list<br>
                  <a href="mailto:Synth-diy@synth-diy.org"
                    target="_blank" moz-do-not-send="true">Synth-diy@synth-diy.org</a><br>
                  <a
                    href="http://synth-diy.org/mailman/listinfo/synth-diy"
                    rel="noreferrer" target="_blank"
                    moz-do-not-send="true">http://synth-diy.org/mailman/l<wbr>istinfo/synth-diy</a><br>
                  <br>
                </blockquote>
                <br>
              </div>
            </div>
            <span class="HOEnZb"><font color="#888888">
                -- <br>
                --Tim Ressel<br>
                Circuit Abbey<br>
                <a href="mailto:timr@circuitabbey.com" target="_blank"
                  moz-do-not-send="true">timr@circuitabbey.com</a></font></span>
            <div class="HOEnZb">
              <div class="h5"><br>
                <br>
                ______________________________<wbr>_________________<br>
                Synth-diy mailing list<br>
                <a href="mailto:Synth-diy@synth-diy.org" target="_blank"
                  moz-do-not-send="true">Synth-diy@synth-diy.org</a><br>
                <a
                  href="http://synth-diy.org/mailman/listinfo/synth-diy"
                  rel="noreferrer" target="_blank"
                  moz-do-not-send="true">http://synth-diy.org/mailman/l<wbr>istinfo/synth-diy</a><br>
              </div>
            </div>
          </blockquote>
        </div>
        <br>
        <br clear="all">
        <div><br>
        </div>
        -- <br>
        <div class="gmail_signature" data-smartmail="gmail_signature">Quincas
          Moreira<br>
          Test Pilot at VBrazil Modular</div>
      </div>
      <!--'"--><br>
      <fieldset class="mimeAttachmentHeader"></fieldset>
      <br>
      <pre wrap="">_______________________________________________
Synth-diy mailing list
<a class="moz-txt-link-abbreviated" href="mailto:Synth-diy@synth-diy.org">Synth-diy@synth-diy.org</a>
<a class="moz-txt-link-freetext" href="http://synth-diy.org/mailman/listinfo/synth-diy">http://synth-diy.org/mailman/listinfo/synth-diy</a>
</pre>
    </blockquote>
    <br>
    <pre class="moz-signature" cols="72">-- 
--Tim Ressel
Circuit Abbey
<a class="moz-txt-link-abbreviated" href="mailto:timr@circuitabbey.com">timr@circuitabbey.com</a></pre>
  </body>
</html>