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    <p>That was a great read. Thanks! And thanks to all who replied!</p>
    <p>I think the delay version is the one I'll try first, mostly
      because it fits in my head ;-) The other two seem like black magic
      to me.<br>
    </p>
    <p>I was told things like drum samples would be worthless without
      pitch shifting. Not sure if that is true, but if I can pull it off
      then why not?  <br>
    </p>
    <p>--timmers<br>
    </p>
    <br>
    <div class="moz-cite-prefix">On 5/13/2018 1:11 PM, O Gillet wrote:<br>
    </div>
    <blockquote type="cite"
cite="mid:CAJoLJ5XgB03CsWCpc807+ip9=OOrd7-KbpoDLCayE0XDY34fhg@mail.gmail.com">
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        <div><span
style="color:rgb(34,34,34);font-family:sans-serif;font-size:13px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;float:none;display:inline"><a
              href="https://ccrma.stanford.edu/%7Ejos/resample/"
              moz-do-not-send="true">https://ccrma.stanford.edu/~jos/resample/</a></span><br>
        </div>
        <div><span
style="color:rgb(34,34,34);font-family:sans-serif;font-size:13px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;float:none;display:inline"><br>
          </span></div>
        Chapters 7 and 8: <a
          href="http://www.music.mcgill.ca/%7Eich/classes/dafx_book.pdf"
          moz-do-not-send="true">http://www.music.mcgill.ca/~ich/classes/dafx_book.pdf</a>
        <div><br>
        </div>
      </div>
      <br>
      <div class="gmail_quote">
        <div dir="ltr">On Sun, May 13, 2018 at 9:59 PM Michael E
          Caloroso <<a href="mailto:mec.forumreader@gmail.com"
            moz-do-not-send="true">mec.forumreader@gmail.com</a>>
          wrote:<br>
        </div>
        <blockquote class="gmail_quote" style="margin:0 0 0
          .8ex;border-left:1px #ccc solid;padding-left:1ex">There's also
          this bad boy from Eventide<br>
          <br>
          <a
href="https://patents.google.com/patent/US4464784?oq=anthony+m+agnello+eventide"
            rel="noreferrer" target="_blank" moz-do-not-send="true">https://patents.google.com/patent/US4464784?oq=anthony+m+agnello+eventide</a><br>
          <br>
          MC<br>
          <br>
          On 5/13/18, Vladimir Pantelic <<a
            href="mailto:vladoman@gmail.com" target="_blank"
            moz-do-not-send="true">vladoman@gmail.com</a>> wrote:<br>
          > it adds "character" ;)<br>
          ><br>
          > On Sun, May 13, 2018, 20:32 MTG <<a
            href="mailto:grant@musictechnologiesgroup.com"
            target="_blank" moz-do-not-send="true">grant@musictechnologiesgroup.com</a>>
          wrote:<br>
          ><br>
          >> That guy from Emu, that's doing modules now... in
          recent interviews he<br>
          >> talked about how they were doing drop sample pitch
          shifting back in the<br>
          >> day.<br>
          >><br>
          >> <a
href="https://www.google.com/search?q=%22drop+sample%22+%22pitch+shifting%22"
            rel="noreferrer" target="_blank" moz-do-not-send="true">https://www.google.com/search?q=%22drop+sample%22+%22pitch+shifting%22</a><br>
          >><br>
          >> That's a pretty brute force method.<br>
          >><br>
          >><br>
          >> On 5/13/2018 9:07 AM, Tim Ressel wrote:<br>
          >> > Hi,<br>
          >> ><br>
          >> > Forgive me if I've asked this before. I can't
          seem to get my head<br>
          >> > around<br>
          >> > this. I'm told if you make for example a drum
          machine that uses samples<br>
          >> > you HAVE to be able to change the pitch. How is
          this done? The pitch<br>
          >> > has<br>
          >> > to change but the sample length stays the same.
          Are we talking about a<br>
          >> > digital version of a Bode pitch shifter?<br>
          >> ><br>
          >> _______________________________________________<br>
          >> Synth-diy mailing list<br>
          >> <a href="mailto:Synth-diy@synth-diy.org"
            target="_blank" moz-do-not-send="true">Synth-diy@synth-diy.org</a><br>
          >> <a
            href="http://synth-diy.org/mailman/listinfo/synth-diy"
            rel="noreferrer" target="_blank" moz-do-not-send="true">http://synth-diy.org/mailman/listinfo/synth-diy</a><br>
          >><br>
          ><br>
          _______________________________________________<br>
          Synth-diy mailing list<br>
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            moz-do-not-send="true">Synth-diy@synth-diy.org</a><br>
          <a href="http://synth-diy.org/mailman/listinfo/synth-diy"
            rel="noreferrer" target="_blank" moz-do-not-send="true">http://synth-diy.org/mailman/listinfo/synth-diy</a><br>
        </blockquote>
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      <pre wrap="">_______________________________________________
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</pre>
    </blockquote>
    <br>
    <pre class="moz-signature" cols="72">-- 
--Tim Ressel
Circuit Abbey
<a class="moz-txt-link-abbreviated" href="mailto:timr@circuitabbey.com">timr@circuitabbey.com</a></pre>
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