<div dir="ltr"><div><span style="color:rgb(34,34,34);font-family:sans-serif;font-size:13px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;float:none;display:inline"><a href="https://ccrma.stanford.edu/~jos/resample/">https://ccrma.stanford.edu/~jos/resample/</a></span><br></div><div><span style="color:rgb(34,34,34);font-family:sans-serif;font-size:13px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;float:none;display:inline"><br></span></div>Chapters 7 and 8: <a href="http://www.music.mcgill.ca/~ich/classes/dafx_book.pdf">http://www.music.mcgill.ca/~ich/classes/dafx_book.pdf</a><div><br></div></div><br><div class="gmail_quote"><div dir="ltr">On Sun, May 13, 2018 at 9:59 PM Michael E Caloroso <<a href="mailto:mec.forumreader@gmail.com">mec.forumreader@gmail.com</a>> wrote:<br></div><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">There's also this bad boy from Eventide<br>
<br>
<a href="https://patents.google.com/patent/US4464784?oq=anthony+m+agnello+eventide" rel="noreferrer" target="_blank">https://patents.google.com/patent/US4464784?oq=anthony+m+agnello+eventide</a><br>
<br>
MC<br>
<br>
On 5/13/18, Vladimir Pantelic <<a href="mailto:vladoman@gmail.com" target="_blank">vladoman@gmail.com</a>> wrote:<br>
> it adds "character" ;)<br>
><br>
> On Sun, May 13, 2018, 20:32 MTG <<a href="mailto:grant@musictechnologiesgroup.com" target="_blank">grant@musictechnologiesgroup.com</a>> wrote:<br>
><br>
>> That guy from Emu, that's doing modules now... in recent interviews he<br>
>> talked about how they were doing drop sample pitch shifting back in the<br>
>> day.<br>
>><br>
>> <a href="https://www.google.com/search?q=%22drop+sample%22+%22pitch+shifting%22" rel="noreferrer" target="_blank">https://www.google.com/search?q=%22drop+sample%22+%22pitch+shifting%22</a><br>
>><br>
>> That's a pretty brute force method.<br>
>><br>
>><br>
>> On 5/13/2018 9:07 AM, Tim Ressel wrote:<br>
>> > Hi,<br>
>> ><br>
>> > Forgive me if I've asked this before. I can't seem to get my head<br>
>> > around<br>
>> > this. I'm told if you make for example a drum machine that uses samples<br>
>> > you HAVE to be able to change the pitch. How is this done? The pitch<br>
>> > has<br>
>> > to change but the sample length stays the same. Are we talking about a<br>
>> > digital version of a Bode pitch shifter?<br>
>> ><br>
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><br>
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</blockquote></div>