<div dir="ltr">Is it fair to guess that for at least some of these applications, the particular choice of bandpass filter/implementation is less critical than that of the lowpass in subtractive synthesis?<div><br></div><div>My thought here (I could be wrong) is that the BP filter parameters are not intended to undergo as many rapid expressive sweeps, and the individual BPF in a parallel bank is not asked to shape the raw sound as decisively as a LPF would be.<div><br></div><div>In any case, is there some wisdom about more/less suitable BP filters, say for producing vowels/speech?</div></div></div><div class="gmail_extra"><br><div class="gmail_quote">On Thu, Jun 29, 2017 at 10:46 AM, Richie Burnett <span dir="ltr"><<a href="mailto:rburnett@richieburnett.co.uk" target="_blank">rburnett@richieburnett.co.uk</a>></span> wrote:<br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">A graphic equaliser (analogue or digital) is really just a bank of 30 or so resonant filters.<br><br>-Richie, <br><br>Sent from my Xperia SP on O2<br><br>---- Elain Klopke wrote ----<div class="HOEnZb"><div class="h5"><br><br><div dir="ltr">ok, so we have a vocoder being kinda the same principle, and string filters. Why do my little ideas always turn into something that's going to be 84+ HP wide, lol?<div><br></div><div>Quincas, I have the Elements kit sitting on my desk next to the hot plate waiting for the postman to deliver my solder paste and tiny tweezers today... O.O</div></div><div class="gmail_extra"><br><div class="gmail_quote">On Thu, Jun 29, 2017 at 8:07 AM, Quincas Moreira <span dir="ltr"><<a href="mailto:quincas@gmail.com" target="_blank">quincas@gmail.com</a>></span> wrote:<br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex"><div dir="ltr">Digitally things can go crazy! I have Olivier's Elements, and the modal synthesis engine it employs consists of tons of resonant filters. <div><br></div><div>In analog, if you like the Cwejman Res4 but dont want to shell out 800 bucks and can solder, the L1 kit from Synthcube might be the ticket: <a href="http://synthcube.com/cart/makers/l-1/l-1-quad-vc-res-equalizer-panel-pcbs-euro-24hp" target="_blank">http://synthcube.com/c<wbr>art/makers/l-1/l-1-quad-vc-res<wbr>-equalizer-panel-pcbs-euro-24h<wbr>p</a></div></div><div class="gmail_extra"><br><div class="gmail_quote"><div><div class="m_-4175050509818175716h5">On Thu, Jun 29, 2017 at 7:49 AM, Nicholas Keller <span dir="ltr"><<a href="mailto:nirokeforums@gmail.com" target="_blank">nirokeforums@gmail.com</a>></span> wrote:<br></div></div><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex"><div><div class="m_-4175050509818175716h5"><div>Just found this...</div><div><a href="https://forum.moogmusic.com/viewtopic.php?t=569" target="_blank">https://forum.moogmusic.com/vi<wbr>ewtopic.php?t=569</a></div><div class="m_-4175050509818175716m_-4558426492035141308HOEnZb"><div class="m_-4175050509818175716m_-4558426492035141308h5"><div><br></div><div><br><div class="gmail_quote"><div>On Thu, Jun 29, 2017 at 8:47 AM Nicholas Keller <<a href="mailto:nirokeforums@gmail.com" target="_blank">nirokeforums@gmail.com</a>> wrote:<br></div><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">Guy who used to work for Moog has told me about a rackmount "string filter" module that was produced that contained something like 40 filters but I don't have any more information about it. A friend of his was working on a clone last time we spoke a few years ago</blockquote></div></div>
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