<div dir="ltr">That polymoog resonator demo was sweeeet! And now I need like five of them. </div><div class="gmail_extra"><br><div class="gmail_quote">On Thu, Jun 29, 2017 at 10:41 AM, Florian Anwander <span dir="ltr"><<a href="mailto:fanwander@mnet-online.de" target="_blank">fanwander@mnet-online.de</a>></span> wrote:<br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex"><span class="">On 29.06.17 16:13 , Elain Klopke wrote:<br>
<blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">
ok, so we have a vocoder being kinda the same principle, and string filters. Why do my little ideas always turn into something that's going to be 84+ HP wide, lol?<br>
</blockquote></span>
To be honest. There is a difference between the possibilities you do with all the multiple-filter stuff like vocoders, Stringfilters or the Elements and Rings from Mutable on one side, and a multi band resonator like the polymoog resonator on the other side.<br>
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The first ones are sound generators themselves, the latter ones work in the sense of subtractive synthesis. If we concentrate on the second category, then I found that I use rarely more than two bands. For most vowel you get away with two bands, only a few require three bands.<br>
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I love the Doepfer A-127, and I use a similar multi filter in my nordmodular quite often. So for the start: I suggest to go that way. Have a look / an ear at Kenneth Elhardts great polymoog resonator video, and you know why it is worth it:<br>
<a href="https://www.youtube.com/watch?v=_XUiJi5153Y" rel="noreferrer" target="_blank">https://www.youtube.com/watch?<wbr>v=_XUiJi5153Y</a><div class="HOEnZb"><div class="h5"><br>
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