<html><head><meta http-equiv="Content-Type" content="text/html charset=utf-8"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class=""><br class=""><div><blockquote type="cite" class=""><div class="">On 21 Apr 2017, at 6:40 PM, Rutger Vlek <<a href="mailto:rutgervlek@gmail.com" class="">rutgervlek@gmail.com</a>> wrote:</div><br class="Apple-interchange-newline"><div class=""><span style="font-family: Helvetica; font-size: 12px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; float: none; display: inline !important;" class="">Another thing I was surprised to find, and not that clearly marketed at all: voices are stereo (as far as I understand). I have been experimenting with this for several years now, and it's a great idea! You have to be careful for mono-compatibility in recordings, but when you have 2 slightly drifting, free-running oscillators on each side of the stereo field, (and independent paths for filters and VCAs) you can get extremely lush sounds.<span class="Apple-converted-space"> </span></span></div></blockquote></div><br class=""><div class="">As you’re probably aware, the Jupiter 8 does this in “Dual” mode. You are reduced to four note polyphony, but each note is represented by two voices, one left, one right, each with 2 VCOs. Extremely lush, as you say. Never noticed any mono-compatibility issues, but that’s probably because the voices need calibrating ;-)</div></body></html>