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<p>If that happens, I want one!<br>
</p>
<br>
<div class="moz-cite-prefix">On 2/18/2017 10:13 AM, Quincas Moreira
wrote:<br>
</div>
<blockquote
cite="mid:CA+u0JtmWu_+S-e==roPkDNNecuPcdAWC-OOO1TqzAp1haJBxGw@mail.gmail.com"
type="cite">
<div dir="ltr">
<div>very cool! Let's make a Euro panel for it, who's game?<br>
<br>
</div>
It does another thing that VST/Au cannot... Function without a
host computer :)<br>
<br>
<br>
</div>
<div class="gmail_extra"><br>
<div class="gmail_quote">On Sat, Feb 18, 2017 at 5:46 AM,
Matthias Puech <span dir="ltr"><<a moz-do-not-send="true"
href="mailto:matthias.puech@gmail.com" target="_blank">matthias.puech@gmail.com</a>></span>
wrote:<br>
<blockquote class="gmail_quote" style="margin:0 0 0
.8ex;border-left:1px #ccc solid;padding-left:1ex">
<div dir="ltr">Hi,
<div><br>
</div>
<div>Yes, it looks like an interesting little board. What
is that impressive though? </div>
<div>I didn't know about this particular codec, it could
be handy in a module design. Now if I put aside SDIO
throughput (which I don't know much about), it doesn't
seem that surprising to be able to read 32 samples at
the same time. We can already achieve 32+ linearly
interpolated voices on an STM32F4 (Cortex-M4 @ 200MHz)
at 48kHz, and the M7 has far better performance (300MHz,
better FPU) so there should be room for better
interpolation (or more polyphony). Am I missing
something?</div>
<div>
<div class="gmail_extra"><br>
</div>
<div class="gmail_extra">Best,</div>
<div class="gmail_extra"> -m
<div>
<div class="h5"><br>
<div class="gmail_quote">On Fri, Feb 17, 2017 at
11:45 PM, Richie Burnett <span dir="ltr"><<a
moz-do-not-send="true"
href="mailto:rburnett@richieburnett.co.uk"
target="_blank">rburnett@richieburnett.co.uk</a>></span>
wrote:<br>
<blockquote class="gmail_quote" style="margin:0
0 0 .8ex;border-left:1px #ccc
solid;padding-left:1ex">That's impressive!<br>
<br>
It's usually the resampling that takes the
majority of CPU cycles with sample playback.
So for a given amount of CPU power you can
either have tons of voices that alias like
hell when you transpose the samples or a
quarter of those voices with nice clean
detuning of the samples. I suspect this is
where they might have cut corners.<br>
<br>
Of course if you want to pitch up a Hi-hat
sample and the playback module has crap
resampling, then there's nothing to stop you
transposing the sample in a decent audio
processing package first before sticking it on
the sd card. (That's what I used to do with
my old Akai S01 sampler that had crappy linear
interpolation, and turned hi-hat samples into
rustling paper bag sounds as soon as you
touched the transpose control!)<br>
<br>
-Richie,<br>
<br>
Sent from my Xperia SP on O2<br>
<br>
---- <a moz-do-not-send="true"
href="mailto:paula@synth.net"
target="_blank">paula@synth.net</a> wrote
----<br>
<div class="m_6041849769500406767HOEnZb">
<div class="m_6041849769500406767h5"><br>
>OMG,<br>
><br>
>anyone seen this?<br>
><br>
><a moz-do-not-send="true"
href="https://www.sparkfun.com/products/13810"
rel="noreferrer" target="_blank">https://www.sparkfun.com/prod<wbr>ucts/13810</a><br>
><br>
>upto 32 samples playing back at the
same time, built in MIDI, 8 outputs<br>
>which can dynamically assign. Just
WOAH<br>
><br>
>Paula<br>
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<br>
-- <br>
<div class="gmail_signature" data-smartmail="gmail_signature">Quincas
Moreira<br>
Test Pilot at VBrazil Modular</div>
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