<html><head><meta http-equiv="Content-Type" content="text/html charset=us-ascii"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class=""><br class=""><div><blockquote type="cite" class=""><div class="">On 21 Oct 2016, at 10:58 PM, <a href="mailto:rburnett@richieburnett.co.uk" class="">rburnett@richieburnett.co.uk</a> wrote:</div><br class="Apple-interchange-newline"><div class=""><span style="font-family: Helvetica; font-size: 12px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; float: none; display: inline !important;" class="">The TR-8 does the same thing, Adam. There is about +/- 1ms of timing jitter in the absolute time at which instruments are triggered. (All triggered instruments sound at exactly the same time, but that point in time is slightly early or late relative to the sample where it should be if the tempo was rock solid.)<span class="Apple-converted-space"> </span></span></div></blockquote></div><br class=""><div class="">So presumably this</div><div class="">a) was a deliberate design decision, and </div><div class="">b) contributes in a positive way to the feel/groove, ?</div><div class=""><br class=""></div><div class="">AI</div><div class=""><br class=""></div><div class=""><br class=""></div></body></html>