<div dir="ltr">i found it hard to purchase one too. i have a pdf if anyone would like to see it. dont want to break any rules</div><div class="gmail_extra"><br><div class="gmail_quote">On Thu, Sep 8, 2016 at 3:37 PM, Timothy Daugard <span dir="ltr"><<a href="mailto:daugard@cox.net" target="_blank">daugard@cox.net</a>></span> wrote:<br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">On 9/7/2016 6:50 PM, Barry Klein wrote:<br>
<blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">
One great book I have is The Stompbox Cookbook by Boscorelli.<br>
A lot of work went into it. It doesn’t touch on the more modern effects/circuits (it is over 15 years old) but covers the basics very well.<br>
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I'll 2nd that book, though it is EXTREMELY difficult to locate a copy. And the author is nowhere to be found.<br>
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<blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">
What synth modules seem to be useful in the guitar effects space? Are many guitarists (and/or other instrumentalists) building their own modular systems?<br>
Which modules seem popular for them? How much emphasis on stereo vs mono sound design?<br>
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I did. I play bass and built a full modular system - minus accurate VCOs and a hand keyboard. I did build a foot board but mostly it is used to switch to a pre-patched channel, however the footboard actual just outputs a switch pressed signal that is decoded to which switch pressed by another module.<br>
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I figure using my bass, I didn't need a good VCO. To make a VCO useful, I would need a pitch to control voltage converter.<br>
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Tim Daugard, AG4GZ<br>
. . . now working on RF VCOs and phase locked oops. (missing L intentional)<br>
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<blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">
Barry<br>
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