<HTML><FONT FACE=arial,helvetica><HTML><FONT COLOR="#000000" FACE="Geneva" FAMILY="SANSSERIF" SIZE="2"><BR>
In a message dated 2/8/05 10:45:53 AM, peter@buzzclick-music.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE="CITE"></FONT><FONT COLOR="#000000" FACE="Geneva" FAMILY="SANSSERIF" SIZE="2">This is a very knotty issue. Louie's second wife is dead set that these<BR>
tapes are worth a fortune and has held all of it waiting for that fortune to<BR>
arrive. Bebe's repeated attempts have been ignored, as have those of the<BR>
Library of Congress and this is the basis of the 'issues' between she and<BR>
Louie's second wife that Susan touched upon in the interview. It's sad -<BR>
although, most of these tapes consist of hours and hours of work files and<BR>
most recorded in the 50's - so the tapes are pretty screwed up by now.<BR>
They're in a garage - not a temp and humidity controlled storage facility.<BR>
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<BR>
Too bad that something cannot be negotiated, mediated or otherwise worked out. <BR>
<BR>
The combination of tapes (were they playable) and old circuits diagrams and other info could possibly be made into a Barrons' equivalent of that Raymond Scott CD/booklet, Manhattan Research Inc.</FONT><FONT COLOR="#000000" FACE="Geneva" FAMILY="SANSSERIF" SIZE="2"></FONT></HTML>