[sdiy] Polymoog resonator question

Tim Parkhurst tim.parkhurst at gmail.com
Sun Oct 14 07:59:47 CEST 2018

Just a thought: skip the voltage control, put in digipots for the panel
controls, and make the whole thing programmable. Especially for use as a
resonator, it would be cool to dial in several acoustic instrument
responses and then be able to bring them up quickly. Okay, maybe keep
voltage control of the center frequency for nifty sweep sounds.

And while we're talking about resonators and the ARP 2700 (over on AH), has
anybody ever found schematics for, and successfully duplicated the fixed
filter / resonator section of the ARP Soloist and Pro Soloist? Seems like
that has a history of pretty useful acoustic instrument responses. Also,
has anyone ever run a poly synth through a Soloist resonator section? Also
also, how does the Soloist switch presets? Are there a bunch of relays or
transistor circuits in there switching different resistor and cap values

Tim (on a questionable question quest) Servo

On Fri, Oct 12, 2018 at 1:52 AM Tom Wiltshire <tom at electricdruid.net> wrote:

> > On 11 Oct 2018, at 18:31, Rutger Vlek <rutgervlek at gmail.com> wrote:
> >
> > That video is also my sole reason for wanting a resonator. I'd actually
> hope for the resonator to also be able to track keyboard moderately well to
> (optionally) maintain a fixed interval between notes played and resonant
> frequencies.
> That’s possibly useful, but missing the point of a resonator, I’d say. The
> idea is that we’re modelling the resonances of a instrument body in some
> way, and those are fixed for a given instrument. That’s a key part of what
> gives one instrument a different character from another.
> > My suspicion is that Elhardt identified a very small number of sweet
> spots that are very well tuned to the input signal as well as to the reverb
> on top. I believe it's only partly thanks to the resonator, but also thanks
> to his craftsmanship (or many hours of exploration) that he can make it
> sound this good.
> Certainly his playing is a big part of the success of that video. He takes
> a “trumpet-like” sound, but then does a very good job of playing it like a
> trumpet. If you’d done the “Jump” chords (for example) instead, it wouldn’t
> have sounded half as good.
> Tom
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