[sdiy] Filter slopes
Scott Gravenhorst
music.maker at gte.net
Tue Jun 12 01:34:40 CEST 2018
I wish I knew, never owned a modular... I assume Dieter refers to Doepfer?
Ian Fritz <ijfritz at comcast.net> wrote:
>Doesnt Dieter do that with his delay units?
>
>Ian
>
>> On Jun 11, 2018, at 5:17 PM, Scott Gravenhorst <music.maker at gte.net> wrote:
>>
>>
>> Also, a friend of mine, Les Hall on electro-music.com, came up with an analog way to do
>> Karplus-Strong using a BBD and a single pole low pass analog
>filter (just RC) in the loop. > This works and might also be
>applicable to the flute model described on ccrma.standford.com. >
>That might be tricky to get working, but probably not impossible.
>If I were to try it (I'm not > really an analog guy now), I'd
>start with Les Hall's BBD KS circuit and see what the problems >
>are with it. Another friend implemented it (BBD KS) and he said
>it suffers the same problem > that the digital model has - the
>low pass filter adds a bit of extra delay so it detunes a bit >
>as the delay is shortened. Delay time is controlled by using a
>VCO as a clock to drive the BBD. > > music.maker at gte.net wrote:
>>> >> >> Look at Perry Cook's flute model: >> >>
>https://ccrma.stanford.edu/software/clm/compmus/clm-tutorials/pm.html#s-f
>>> >> It's an extension of Karplus-Strong string models. There
>are two >> delay lines, one is exactly 1/2 the length of the
>other. The >> short one models the mouthpiece and it energizes
>the long one. >> I've gotten it to work and it sounds VERY
>flute-like, however, I >> still need to work on it because it
>comes to full amplitude very >> slowly with whatever mistake I
>made. I'm sure another look at my >> code and I'll see a doofus
>thing I did. >> >> Tom Wiltshire <tom at electricdruid.net> wrote:
>>>> Ok, I dont know anything about coupled resonators. What >>>
>would I look up to find out more (aside from that obvious term ),
>>>> and how would I implement such a thing for analogue audio?
>Making >>> resonators is easy enough. How do I couple them? >>>
>>>> Im looking for a practical implementation with details of how
>>>> that was arrived at, rather than a highly abstract splurge of
>>>> math that I won't understand and which could probably be >>>
>explained in words of two syllables or less if anyone took the
>>>> time to bother. >>> >>> Thanks, >>> Tom >>> >>>
>================== >>> Electric Druid >>> Synth & Stompbox DIY
>>>> ================== >>> >>>> On 11 Jun 2018, at 20:50, ASSI
><Stromeko at nexgo.de> wrote: >>>> >>>> On Monday, June 11, 2018
>7:43:22 AM CEST Elain Klopke wrote: >>>>> I was reading an
>article about the spectral content of various instruments >>>>>
>(woodwinds and strings) and while they didn't have any circuits,
>there were >>>>> some tables showing cutoff frequencies and high
>and low slopes. Several of >>>>> the pictures looked like
>bandpass filter responses with different slopes on >>>>> each
>side. How would I go about doing that? Is the slope determined by
>the >>>>> gain of the op amp in an active filter? If it's that
>easy, would it be a >>>>> highpass filter followed by a lowpass
>filter each with their own gain >>>>> settings? >>>> >>>> Both
>woodwinds and string instruments (among others) can be modeled
>with >>>> coupled resonators. The characteristic timbre of each
>is related to the modes >>>> of these resonators and the transfer
>of energy between them. The slopes of >>>> the bandpass skirts
>depend on both the quality factor of the resonator and the >>>>
>coupling strength to other resonators or resonator modes.
>Generally speaking, >>>> losing energy (e.g. into another mode)
>is a reduction in Q and hence shows up >>>> as a flattening of
>the slope. If you just want to approximate the magnitude >>>>
>response, a filter bank with a high enough number of filter bands
>is as good >>>> as any other method and relatively easy to
>implement, it just uses many de- >>>> coupled resonators instead
>of few(er) coupled ones. >>>> >>>> >>>> Regards, >>>> Achim. >>>>
>-- >>>> +<[Q+ Matrix-12 WAVE#46+305 Neuron microQkb Andromeda XTk
>Blofeld]>+ >>>> >>>> Wavetables for the Terratec KOMPLEXER: >>>>
>http://Synth.Stromeko.net/Downloads.html#KomplexerWaves >>>> >>>>
>>>>> >>>> _______________________________________________ >>>>
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>ScottG >>
>________________________________________________________________________
>>> -- Scott Gravenhorst >> -- http://scott.joviansynth.com/ >> --
>When the going gets tough, the tough use the command line. >> --
>Matt 21:22 >> >> >> MIME-Version: 1.0 >>
>Content-Transfer-Encoding: 7bit >> Content-Disposition: inline >>
>>> _______________________________________________ >> Synth-diy
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>>
>________________________________________________________________________
>> -- Scott Gravenhorst > -- http://scott.joviansynth.com/ > --
>When the going gets tough, the tough use the command line. > --
>Matt 21:22 > > _______________________________________________ >
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>
-- ScottG
________________________________________________________________________
-- Scott Gravenhorst
-- http://scott.joviansynth.com/
-- When the going gets tough, the tough use the command line.
-- Matt 21:22
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