[sdiy] DCO Question

Mike HEQX mike at heqx.com
Tue Nov 7 05:07:14 CET 2017


Very interesting. Looking at this from the perspective of a TOG synth. 
You can determine which harmonics you will allow in your series by the 
divisions you choose and relative amplitudes that you set. So you can 
artificially allow harmonics that may be suppressed to now be heard / 
felt. If there is truth to the psycho- acoustic phenomenon, then is it a 
good idea to have supersonic and sub-sonic harmonics in your signal?


On 11/6/2017 11:04 AM, Gordonjcp wrote:
> On Mon, Nov 06, 2017 at 04:43:17PM +0100, Mattias Rickardsson wrote:
>> On 6 November 2017 at 14:26, Guy McCusker <guy.mccusker at gmail.com> wrote:
>>
>>>>> Well, it also hasn't got partials extending off to infinity, otherwise
>>>>> you'd need an infinitely powerful power supply ;-)
>>>> Why? Infinite series often have finite sums.
>>> Of course, but gjcp was not talking about any old series, but the
>>> sawtooth specifically.
>>>
>> I'd say an analog sawtooth *has* got partials extending off to infinity
>> (why would they suddenly come to an end?), but in a more decaying rate than
>> a perfect sawtooth - resulting in a sum that is finite.
> Because your circuit hasn't got infinite bandwidth.  You won't find much
> breaking the noise floor above a few hundred kHz.
>




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