[sdiy] Aphex Twin, Korg and 31.250 kHz
Tom Wiltshire
tom at electricdruid.net
Tue Jul 11 22:31:53 CEST 2017
Most likely, but the choice between those two numbers boils down to what clocks have you got handy or what other frequencies are you using that you could divide - e.g. it's fairly arbitrary and not based on anything much "musical".
Tom
On 11 Jul 2017, at 21:22, MTG <grant at musictechnologiesgroup.com> wrote:
> I think the Kawai R100 and other things of that era are either 31.25KHz or 32KHz. Pretty sure it's just about storage/cost.
>
> On 7/11/2017 12:09 PM, Ove Ridé wrote:
>> http://item.warp.net/interview/aphex-twin-speaks-to-tatsuya-takahashi/
>> This is an interview with Richard D James (aka Aphex Twin) and Tatsuya
>> Takahashi on their collaboration on the Korg Monologue. It's an
>> interesting interview in its own right, but one thing that stood out
>> to me was this detail about the Volca:
>> TT: "Talking of standards, the sample rate of 48 kHz is another one
>> for sampling and signal processing, but the volca sample uses a weird
>> one at 31.25 kHz. Purely because of technical constraints, but I was
>> thinking that might be part of the reason you liked it so much,
>> because the different sample rate gives it a unique sound."
>> I immediately recognized that as the baud rate of standard MIDI, which
>> in turn is chosen because it is 1/32 MHz so it's easy to derive
>> exactly from integer MHz clocks. But the interesting part is why he
>> would choose that as a sample rate. I'm assuming the technical
>> limitation he's referring to is choosing a sample rate based on a
>> clock crystal suitable for MIDI use. But using 48 kHz (at least as far
>> as math goes) should have been easy, by using a clock that's a
>> multiple of 6 MHz, which would make 48 kHz an integer division.
>> Just my thought of the day.
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