[sdiy] questions on string synthesizers

[Michael E Caloroso]

Not a stretch... Tangerine Dream had a P5 with independent voice
outputs routed to five Big Muffs.

MC

On 2/21/17, Elain Klopke <functionofform at gmail.com> wrote:
> I wonder if I had a Big Muff Pi tone stack on each note after the
> dividers.....
>
> On Mon, Feb 20, 2017 at 6:59 PM, Tom Wiltshire <tom at electricdruid.net>
> wrote:
>
>> DON'T CROSS THE STREAMS!
>>
>> On 20 Feb 2017, at 17:39, Ingo Debus <igg.debus at gmail.com> wrote:
>>
>> >
>> >> Am 20.02.2017 um 08:32 schrieb Elain Klopke
>> >> <functionofform at gmail.com>:
>> >>
>> >>> I think they are essentially the same as old organs - the basic
>> approach is to generate a square wave for each note, then optionally use
>> a
>> fixed filter (often just a resistor and a capacitor/inductor) to produce
>> various different tones, then optionally combine those tones for each key
>> to produce different timbres.
>> >>
>> >> Is there anywhere that shows what filter frequencies to use for what
>> instrument?
>> >
>> > Convolution is another option. You can get stunning results when
>> convoluting a sawtooth with the impulse response of a string instrument’s
>> body (violin, guitar, double bass…).
>> >
>> > Now, if there was a way to find out how to build an analog filter that
>> sounds similar to a FIR filter with a given impulse response…
>> >
>> > Ingo
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