[sdiy] Sallen Key with input mixing to generate all shapes
David G Dixon
dixon at mail.ubc.ca
Mon Dec 22 07:07:53 CET 2014
Hi Andrew,
I haven't published any schematics, because I don't have a website.
However, anyone who buys a Korgo II PCB from me gets the schematic and the
theory behind it.
Cheers,
Dave
> -----Original Message-----
> From: Andrew Simper [mailto:andy at cytomic.com]
> Sent: Sunday, December 21, 2014 7:35 PM
> To: David G Dixon
> Cc: synthdiy diy
> Subject: Re: [sdiy] Sallen Key with input mixing to generate
> all shapes
>
> Hi David,
>
> Yes you're quite right, there is no need to stick the same
> input signal at each input mixer, you can filter any signal
> you want. I hope I haven't lost you any commercial advantage
> by outlining the theory of operation, but I can assure you I
> developed it independently. Have you published any schematics
> or other documents on it yourself? I haven't seen anything in
> all my searches.
>
> All the best,
>
> Andy
>
> -- cytomic -- sound music software --
>
> On 22 December 2014 at 08:52, David G Dixon <dixon at mail.ubc.ca> wrote:
> >> This very concept is the basis behind the Intellijel
> Korgasmatron II,
> >> which (with the expander) allows one to derive different responses
> >> from the same filter simultaneously. The only difference
> is, in that
> >> case, the topology is that of the MS-20 2-pole filter.
> >
> > I wanted to clarify what I wrote before, and add that one can get
> > different responses from different inputs to the Korgasmatron II.
> > Hence, one audio signal can be lowpass filtered, a second
> audio signal
> > can be bandpass filtered, and a third can be notch filtered, all at
> > the same time, all by the same filter. I don't know of any other
> > commercially available filter which is capable of this
> (although most
> > filters are capable of this, I believe, if set up properly). This
> > trick has some interesting uses. For example, if one audio
> signal is
> > lowpass filtered, and another is highpass filtered, then
> sweeping the
> > cutoff makes one disappear and the other appear at the
> output. If a
> > third audio input is bandpass filtered at significant Q, then this
> > acts almost like an interpolating scanner, bit with more
> interesting sound.
> >
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